ELGIN SALOON. 129 
The subject of this frieze is the story of Bacchus and the Tyrrhenian 
pirates. (A. 89, 97, 96, 95, 94, 93, 92, 91, 90.) 
No. 360*. Cast in plaster of the capital of a column from the same 
monument. 
No. 361. A fragment of a bas-relief, representing an elderly man 
before one of the gods, probably Bacchus, who appears to hold a vase 
in his right hand. (84.) 
No. 362. A fragment of a decree of the people of Tenos, in 
honour of some benefactor, whose name is not preserved on the 
marble. (232.) 
No. 363. A fragment of a public act relating to the people of 
Athens and Myrina. (234.) 
No. 364. A fragment of a public act of the Athenians ; it consists 
of twenty-one imperfect lines, and seems to relate to the repair of the 
pavements and roads in the neighbourhood of Athens. (233.) 
No. 365. An architectural fragment, which has formed one of the 
ornaments of a roof. (243.) 
No. 366. A sepulchral Greek inscription in ten verses, of which the 
first two and the last two are in the elegiac measure, and the rest are 
hexameters. The inscription is in memory of a young lady of extra¬ 
ordinary beauty, named Tryphera, who died at the early age of 25 
years. (152.) 
No. 367. An architectural fragment, similar to No. 365. (254.) 
No. 368. A Greek inscription relating to Oropus. Presented , in 
1820, by John P. Gandy Peering, Esq. (106*.) 
Nos. 369, 370. Fragments of Greek inscriptions, very imperfect. 
(191, 196.) 
No. 371. A fragment of a bas-relief, representing Minerva placing 
a crown upon a person’s head. (89.) 
No. 372. A sepulchral stele with a Greek inscription, consisting of 
four lines and a half, part of which is written in prose and part in verse. 
The inscription informs us that the monument was erected by a mother 
to the memory of her two sons, Diitrephes and Pericles, the former of 
whom was a soldier of Parium ; and also to the memory of her daugh¬ 
ter, whose name was Agnes, and that of her brother, Demophoon, who 
was a soldier of Parium. (172.) 
No. 373. A sepulchral stele. The bas-relief in front, the lower 
part of which is broken away, represents two females joining hands, one 
of whom is seated and veiled, the other . standing. Between these ap¬ 
pears an old man, clothed in a tunic, and standing in a pensive atti¬ 
tude. (229.) 
No. 374. A votive Greek inscription of Antisthenes, the priest of 
Pandion : he was the son of Antiphates, and belonged to the tribe of 
Pandionis. (86.) 
No. 375. A bas-relief, representing a young man standing between 
two goddesses, Vesta and Minerva, who are crowning him. (82.) 
No. 376. A bas-relief, representing two divinities, namely, Jupiter 
seated on a throne, and Juno standing before him; the latter is re¬ 
moving the veil from her face, as if to address the king of the 
gods. (227.) 
No. 377. A Greek inscription, imperfect, but of which fifty-five 
lines remain. It s written in the Boeotian iEolic dialect, and is a 
