132 
GREEK GALLERIES. 
and elevating his left hand, in which he holds a lantern (?) ; before him 
is a boy or slave, and a column on which is a cat; from Athens. 
No. 433. Cast of a small tablet, on which, in bas-relief, is Pan, 
seated on a rock, having before him a nymph enveloped in drapery, 
probably Echo; from Athens. 
No. 434. Cast of a tablet, on which, in bas-relief, is a bearded man 
holding a patera, reclining on a couch, under which is a dog; at the 
foot of the couch is a female seated on a chair, and a youth ministering 
wine ; at the head a draped bearded man ; from Athens. 
No. 435. Cast of the tablet of Euthydea, daughter of Diogenes, 
who is represented bidding adieu to her parents, or other members of 
her family; from Athens. 
No. 436. Tablet, surmounted with an elegant fleuron, and inscribed 
with the name of Epicrates, son of Cephisus, and of the demos of the 
Ionidai; from Athens. 
No. 437. Plaster cast of a fleuron, from the top of a sepulchral 
tablet; from Athens. 
No. 438. Cast of a sepulchral tablet; a youth holding his horses 
by the bridle, making an offering to a serpent twined round a tree, 
on the top of which is a crow; a slave boy brings him his helmet, 
his thorax and shield lying at the side of the tree; from Athens. 
»No. 439. Cast of the tablet of Nike, daughter of Dositheos, a 
native of Thasos, seated and bidding adieu to her husband; a child 
looks towards her. 
No. 440. Tablet inscribed with the name of Timon, a native of 
Sinope. 
No. 441. Tablet of Smichylion, son of Eualcides, one of the corpo¬ 
ration of potters. From Athens. Presented by A. Robinson , Esq. R.N. 
No. 442. Bas-relief representing a shield, on which are inscribed 
the names of the epliebi of Athens, under Alcamenes, when he held the 
office of cosmetes. Removed from a church at Athens by Dr. Antony 
Askew, and said to have formerly belonged to the Parthenon. 
PHIGALEIAN SALOON. 
In the middle of the Room is placed: — 
No. 2*. A statue of Apollo, of very early Greek work. Purchased 
in 1818, at the sale of the Comte de Choiseul-Gouffier’s Antiquities. 
Around the sides of the Room are temporarily deposited the follow¬ 
ing sculptures:— 
On the floor, eleven bas-reliefs, formerly part of the celebrated mau¬ 
soleum at Halicarnassus, a tomb erected in honour of Mausolus, King of 
Caria, by his wife Artemisia, in the 4th year of the 106th Olympiad, 
E.c. 353. This monument, one of the seven wonders of the world, was 
built by the architects Phiteus and Satyrus, and adorned with sculptures 
by five sculptors, viz.: Pythis, who made a quadriga for the top; 
Scopas, or Praxiteles, who sculptured the eastern; Bryaxis, the 
northern ; Timotheus, the southern ; and Leochares, the western side ; 
all artists of the later Athenian school. The subject of the frieze is 
the battle of the Greeks and Amazons, and Hercules appears among 
the combatants. The style of at least tw r o artists can be traced in these 
sculptures; and apparently more sculptures from different parts of the 
