GREEK SCULPTURES. 
SALOON. ] 
109 
24, 23, 34, 98, 177*, 35, 35*, 37, 178*, 36, 35**, 38, 25, 26, 27. 28, 
29, 30, 31, 38*, 32, 33.) 
No. 47. A single slab of the frieze from the west end of the tem¬ 
ple. It represents two horsemen, one of whom is riding before the 
other, and seems to be in the act of urging his companion to quicken 
his pace. The direction of these figures is the same as that on the 
north side, namely, from right to left. (39.) 
There is a peculiarity in the frieze of the west end, which distin¬ 
guishes it from that on the north and south sides of the temple. The 
subjects represented on the slabs of those two sides run one into an¬ 
other, that is, what was left imperfect in one slab is completed in the 
next; whereas in the west end the subjects are nearly complete on each 
piece of marble. The western frieze is likewise distinguished from 
those of the two sides of the temple, by the comparatively few figures 
introduced into it. 
Nos. 48—61. Fourteen plaster casts, composing the remainder of 
the frieze at the w^est end of the temple. (A. 75- 88.) 
Nos. 62—90. That portion of the same frieze wdiich enriched the 
south side of the temple. It represents a procession of victims, cha¬ 
rioteers, and horsemen, and is very similar, in its general character and 
appearance, to the frieze on the opposite or north side. With respect 
to the victims, we do not possess any that were on the north side of the 
temple; but that they formed a part of the procession on that side, as 
well as on the south, cannot be doubted, since Stuart, in his celebrated 
work on Athens, has engraved a fragment of one of them. The figure 
sculptured at the end of No. 90, (on the right of the entrance,) be¬ 
longs to the eastern .portion of the frieze. No. 62 was presented by 
R. C. Cockerell, Esq. (40*, 41, 41*, 38**, 46, 50, 47, 52, 40, 42, 
49, 45, 48, 43, 44, 51, 38***, 53, 54, 56, 55, 15*, 57, 59, 61, 60, 58, 
96, 62.) 
The sculptures which follow, from 91 to 106, are from the pedi¬ 
ments of the Parthenon. Nos. 91 to 98 are from the eastern pedi¬ 
ment, on which w as represented the birth of Minerva. Nos. 99 to 
106 are from the western pediment, on which was represented the con¬ 
test between Minerva and Neptune for the honour of giving name to 
the city of Athens. These sculptures are placed in the order in which 
they originally stood in the building. 
No. 91. The upper part of the figure of Hyperion rising out of 
the sea. His arms are stretched fonvard, in the act of holding the 
reins of his coursers. This figure, which represents the approach of 
Day, occupied the angle of the pediment on the left of the spectator. 
(65.) 
No. 92. The heads of two of the horses belonging to the car of 
Hyperion or Helios. They are just emerging from the waves, and 
seem impatient to run their course. (66.) 
No. 93. A statue of Theseus, the Athenian hero ; he is represented 
half reclined on a rock, which is covered w T ith the skin of a lion. The¬ 
seus, it is well known, professedly imitated the character of Hercules; 
and it is worthy of remark, that the attitude here given to Theseus is 
very similar to that of Hercules on some of the coins of Crotona. (71.) 
No. 94 A group of two goddesses, probably intended to represent 
Ceres and her daughter Proserpine; the latter is leaning on the right 
shoulder of her mother. They are sitting on low seats, w T hich are 
