HOOM VI.] GREEK AND ROMAN SCULPTURES. 151 
his hand, which he is reading. Before him stands a Muse 
holding a mask. 
No. 12. The front of a sarcophagus, representing a 
Bacchanalian procession. 
No. 13. Heads of Paris and Helen, in alto-relievo. 
No. 14. The front of a sarcophagus, representing 
Genii supporting various pieces of armour. On a shield, 
in the centre, is an inscription to Sallustius Iasius. 
No. 15. A head of Jupiter. 
No. 16. A terminal statue of a youth represented with 
the attributes of Mercury. 
No. 17. A votive altar, sacred to Apollo. 
No. 18. A head of Apollo Musagetes, resembling, in 
the disposition of the hair, and in the character of the 
face, the head of a Muse. 
No. 19. An altar of Roman work, ornamented with 
Egyptian figures. 
Upon it, a votive statue of Diana Triformis, with a 
dedicatory inscription round the plinth. 
No. 20. A torso of a small statue of Venus. 
No. 21. A swan, in red marble. 
No. 22. A small statue of Cupid bending his bow. 
No. 23. A funeral monument of Xanthippus, who is 
represented sitting in a chair, and holding a human foot 
in his right hand. 
No. 24. An altar, on which various Egyptian figures 
are represented. It is of Roman work. 
Upon it, a statue of a satyr. 
No. 25. A head of an Amazon, in the early style of 
Greek sculpture. 
No. 28. A figure of Victory sacrificing a bull. 
No. 27. A bust of Hadrian with the imperial palu- 
damentum. 
No. 28. A bas-relief, representing a female Bac¬ 
chante clothed in thin floating drapery, through which 
the beautiful forms of her body are perfectly apparent. 
With one hand, which is held somewhat above her head, 
she holds a knife, and at the same time secures a portion 
of her robe with is blown behind her; with the other 
hand, which is held downwards, she carries the hind 
quarters of a kid. This piece of sculpture was originally 
