149 
No. 22. A sepulchral urn, with an inscription to 
Claudia Fortunata. From the collection of Sir Hans 
Sloane. 
No. 23. A funeral inscription to Lucretia. Pre¬ 
sented, in 1757, by Thomas Hollis, Esq. 
No. 24. An Etruscan cinerary urn in baked clay. 
The story of Echetles is represented in front (see No. 
21.), and on the cover is a recumbent female figure. 
The figures on this monument were originally painted. 
On the upper part of the urn is an Etruscan inscrip¬ 
tion in red letters. From the collection of Sir William 
Hamilton. 
No. 25. A sepulchral urn, with an inscription to T. 
Sex. Agatha. 
No. 26. A sepulchral vase, in alabaster, with an in¬ 
scription to Flavia Valentina. 
No. 27. A sepulchral urn, with an inscription to 
Junia Pieris. 
No. 28. An earthen olla, similar to those described 
at No. 6. The monumental inscription placed in front 
of it records the names of Opilia Faustilla. 
No. 29. A sepulchral urn, with an inscription to 
Coelia Asteris. From the collection of Sir William Ha¬ 
milton. 
No. 30. Ditto, with an inscription to P. Octanius 
Secundus. 
No. 30*. A sepulchral vase, in yellow alabaster. 
No. 31. A fragment of a testamentary inscription, 
cut from a sepulchral cippus. 
No. 32. A sepulchral urn, with an inscription to 
Pompeius Locusto, Attilia Clodia, and Pompeius. 
From the collection of Sir William Hamilton. 
No. 33. Ditto, with an inscription to C. Magius 
Pal. Heraclides. 
No. 34. An Etruscan cinerary urn in baked clay. 
The bas-relief in front represents the single combat 
between the two brothers, Eteocles and Polynices. 
The two female figures, who are standing near the 
combatants, are Furies. An Etruscan inscription is 
painted 
ROOM V. 
Antiquities. 
