151 
No. 4. Part of the front of a large sarcophagus, 
representing a marriage. 
No. 5. The front of a sarcophagus, representing 
the Nine Muses with their respective attributes. 
No. 6. A bas-relief, cut from the end of the same 
sarcophagus as No. 3. It represents two Cupids and 
a Faun carrying an intoxicated Satyr. 
No. 7. Part of a sarcophagus, representing a car- 
pentum, or funeral car, drawn by four horses. 
No. 8. A medallion, representing in profile the bust 
of an unknown Greek philosopher. It is similar to 
No. 1, but of a later time and inferior sculpture. 
No. 9* The front of a sarcophagus, representing 
captive Amazons with their shields and battle axes. 
No. 10. A fragment of a sarcophagus, representing 
Bacchus with a thyrsus in his left hand, and with his 
right arm thrown over the shoulders of a Faun. 
No. 11. A fragment of a magnificent sarcophagus, 
representing an elderly man, with a manuscript roll in 
his hand, which he is reading. Before him stands a 
Muse holding a mask. 
No. \2, The front of a sarcophagus, representing 
a Bacchanalian procession. 
No. 13. Heads of Paris and Helen, in alto-relievo. 
No. 14. The front of a sarcophagus, representing 
Genii supporting various pieces of armour. On a 
shield, in the centre, is an inscription to Sallustius 
lasius. 
No. 15. A head of Jupiter. 
No. 16. A terminal statue of a youth represented 
with the attributes of Mercury. 
No. 17. A votive altar, sacred to Apollo. 
No. 17*. An unknown bust of a boy. Bequeathed 
by the late R. P. Knight, Esq . 
No. 17**. A bas-relief, representing a female Bac¬ 
chante clothed in thin floating drapery, through which 
the beautiful forms of her body are perfectly apparent. 
With one hand, which is held somewhat above her 
head, she holds a knife, and at the same time secures a 
portion 
ROOM VI 
Antiquitie 
