146 DR, C. E, BBEVOR AND MR. V. HORSLEY ON THE EXCITATION OF THE 
(1) Combination oj Facial and Oro-lingual Movements. 
Square. 
(List of squares in 
whicli face or tongue 
were represented.) 
Tongue. 
Face. 
7 
8 
98 
99 
9 
10 
11 
ll'J 
12 0 
13 ^ 
14 J 
15 
16 
17 
20 
21 
22 
23' 
24 
85 
86 
87 
88 
89 
90 
Flattened, protruded to opposite side 
Tip to oppo.site side, heaped on same side 
Rolled over to opposite side .... 
Retracted, heaped posteriorly and rolled 
to opposite side 
Retracted slightly, flattened through¬ 
out, tip of opposite side retracted 
horizontally 
Opposite angle of mouth retracted I 
Rolling in of both lips, especially of 
lower (bilateral) 
Rolling in of both lips followed by j 
mouth opening 
Opening of mouth 
Pur.sing of lips 
Pouting of lip 
Tlie foreo’oino’ list shows which facial and oral movements are related with each 
other in synchronous action, and we do not see that it can be profitably amplified by 
further discussion. 
(2) Juxtaposition of Synergic Segments. —Without a single exception the march 
involved segments in series according to their successive anatomical juxtaposition. 
The most striking instance of this phenomenon, and shown inore minutely than any¬ 
thing noted by us in the Bonnet, is seen at square 29, where the successive order 
of segments involved was little finger, ring finger, second and index, wrist. 
(3) Character of Movements in each March. —We find that the character of the 
movement in the stages of the march is simply a repetition of the character of 
the primary movement of the segment involved. 
(4) Relative Position of Squares from ivhich Marches were Obtained. —We Iiave 
thought it important to note the regions where combinations of movements more 
frequently occurred, to see whether there was any definite relation among the squares 
one with another which would reveal any explanation of the phenomena in question.- 
