.895.] 445 [Fewkes. 
eties made excursions throiisfh the pueblos perfonnino- their 
sidelong dances. 
The Kwakioantd wore the so-called tokonaka helmet with a 
single vertical horn made of a gourd ornamented with raincloud 
symbols. This head di-ess is symboHc of Gotokinunwa, "the 
heart of all the sky," one of the powerful deities in Hopi as in 
Kiche (see Popol Vuh) mythology. The similarity of the two 
conceptions is interesting especially as the KwakwantH, who wear 
the tokonaka helmet, are reputed to have come from the far 
south with the Water house people, to whom theu- chief, 
Anawita, belongs. 
There are certain characteristics of Cotokiniiflica which would 
imply Christian teaching. His symbol is a cross which alone 
would not be very important. His home is in the sk}^, the world 
quarter in which early Christian missionaries would have placed 
the home of their God. There is a suggestive poverty of folk 
tales about Cotokinuilioa, and he does not appear in sky deit}^ 
myths. In the cultus of the dead he as Tokonaka is the judge, 
who throws the erring breath bodies into the four tires, a decidedly 
Christian conception. To offset all these facts indicating the 
derivation of Cotoklnumoa from Christian teaching is the promi- 
nent place which is given to the "• Heart of the sky deity " in 
Popol Vuh, but how shall we know that it was not incorporated 
from Christian sources in the well-known Kiche sacred book. 
KoMOKTOTOKYA. 
November 15 (third day). — The ceremonials of the third day 
consist almost wholly of processions and patrols about the 
pueblos, at intervals during the day, beginning shortly before 
sunrise. The WiliimtcimtiX society, who made the early morning 
parade, were led by two Alosaka wearing helmets with horns, 
eacli carrpng an ear of corn in his right, an antler in his left hand. 
The character of these processions has already been described 
in my account of the Naacnaiya. The WmciltcujUU in their 
parades formed two parallel lines, one led by Sunoitiwa, the 
other by Suyoko. The members of each line linked fingers and 
moved with a sidelong motion, the Alosaka leading, and the 
drummer marching between the two lines. Then- songs were 
