NAVE-NORTH AISLE. 
33 
G 
St. Peter. 
R R 
St. Andrew. St. Paul. 
B 
B 
B 
Fall of the 
Archbishop St. William 
Procession 
Wooden Bridge. 
on horseback. 
looking back. 
B 
B 
B 
Moulding a Bell. 
Richard Tunnoc 
Casting a Bell. 
before 
Archbishop William. 
Bellfounding. 
In the lower band of subjects the central one (fig. 24) depicts 
Richard Tunnoc (named above) kneeling before an archbishop who 
is nitnbed (St. William). He is presenting, in memory of the saint, 
a window similar to those in the aisle. Tunnoc wears a loose 
dress with cape, and from the girdle hangs a scabbard and also a 
pouch bearing a figure of a bell, with another on the flap. The 
western light shows the moulding of a bell (fig. 23). A man turns 
the core with a handle, whilst Richard Tunnoc (name above) with a 
long tool, moulds the clay to the required shape. On the floor are 
shown two bells between the legs of the tressels, on which the 
mould is being turned. In the eastern light is shown the casting of 
a bell (fig. 25). The furnace is kept heated by a pair of bellows 
worked by a boy, who holds a handle in each hand ; another boy 
stands with one foot on each upper board of the bellows, pressing 
alternatel) r on them, and supporting himself by holding on with 
one hand to a fixed bar. Tunnoc opens the furnace door and 
watches the molten metal running into the mould below. 
St. William of York. 
The three upper subjects relate to the Saint of York—William, 
who, as archbishop-elect, passed over Ouse Bridge on his way to 
the Minster to be enthroned. The panels show the collapse of the 
wooden bridge with people falling into the river, the archbishop 
on a white horse looking back and raising his hand, the third 
panel is injured. 
The three quatrefoils contain figures of St. Peter with key, 
St. Andrew with saltire, and St. Paul with sword. On either 
side of each figure is a bell. A small figure in yellow has been 
inserted near the head of S. Paul. The inscription is 
me &©.. 
flYix e& 1L© $ei\ 
c 
