LADY CHAPEL-SOUTH AISLE. 
7 1 
“ Ifntut qttoxmt x x x sin ...” In the panel below, the Apostles are 
in white and have yellow nimbuses, above them is a white cross. 
Near the feet of St. Christopher is a small figure with scroll, 
“See £pa.nobis.” St. Edmund has an archer on each side. 
The second light shows a dozen persons witnessing the Ascen¬ 
sion. The mountain is green, and at the top are the impressions 
of two feet. Below, an altar is between two ecclesiastics. One 
is in a blue garment lined with ermine and with a green hood 
attached. Over his head is a scroll inscribed “ ^ISEolbcbcn ... celts.” 
On the book before him is “ Due labia.” The other person is in 
a blue garment with a crimson hood. A mutilated inscription is 
below “.om 3 oIj...fabric.” The panel underneath is mutilated, 
but may have represented the parable of the rich man, his stores 
and his intended pleasures. The subject below shows Christ 
sitting in a white robe diapered with a golden X. Pilate sits on a 
white throne, he is in a crimson outer robe with ermine lining, and 
a blue inner garment also ermined. He wears a conical head- 
cover, around which is a golden crown, and he bears a golden 
sceptre. The panel beneath shows St. Paul in white and having 
just been beheaded. The executioner is in a green cap, a blue 
garment buttoned down the front, green robe and yellow boots 
laced up the side. He holds a falchion. Behind him stands a 
man in blue cap and murry garment. Above St. Paul, is his soul 
in the form of a white dove ascending to an angel who, with 
extended hands, is ready to receive it. The Emperor Nero, in 
imperial robes with crown and sceptre, stands beside his sword- 
bearer. The latter is in a white cap and green robes, and holds 
his sword erect in an ornamental scabbard. 
In the third light is an archbishop elevating the Host, towards 
which a dove is descending. The altar piece shows the Blessed 
Virgin and Child. The altar has side curtains striped crimson 
and blue diapered. Upon the altar is an open book, chalice, and 
mitre. Five figures represent the worshippers. Below is a panel 
which Torre states was brought from a window at the end of the 
South Transept. It depicts the murder of St. Thomas of Canter¬ 
bury. The archbishop is in blue and with pall, and is kneeling 
before an altar. There are two knights in plate armour; one has 
struck his sword into the head of the archbishop, and the other is 
in the act of striking. The mitre is on the ground. Behind the 
altar is the cross-bearer and another ecclesiastic. The subject 
below shows Jesus bound and in the midst of a number of figures 
