CHOIR-NORTH AISLE. 
95 
(3 lilies) and England (3 lions). The prelate officiates at the 
altar and in attendance are a number of warriors in mixed mail. 
Herebald, a pupil of the sainted archbishop, was in pursuit of the 
forbidden pleasure of riding, when he fell off his horse in the 
presence of the archbishop. 
The central light shows a large figure of an archbishop. The 
subject below depicts King Henry II. and his chancellor. The 
latter in a blue garment edged with fur, is at a desk and is 
perusing a document in which the king is interested. On the 
desk is the matrix of a seal, attached by a chain. The king holds 
a document with a yellow seal, depicting a king in armour on 
horseback at full speed and with a sword. The seal bears “Rennet 
"bet gratia rtl anglta.” The king is attended by his sword-bearer, 
who holds the sword of state superbly sheathed. The panel below 
is mutilated but depicts a throne, around which are several 
ecclesiastics. The subject beneath is also mutilated, but Gent 
recorded it as a bishop martyred at an altar. 
The east light exhibits a large figure of an archbishop, “iSanctu 
^Ktldmus,” with a red background studded with a device of a 
cone within leaves. The subject below is the archbishop in a red 
vesture on a white horse crossing a three-arched stone bridge, 
which is breaking down. He is attended by his cross-bearer. 
Behind is a man on a white horse, he wears a plaited straw hat 
and bears a gold baton studded with diamonds. The panel below 
is mutilated: there is a man in a white garment who holds a 
golden rod, from his belt hangs three golden keys. The subject 
beneath shows the archbishop enthroned between two other 
bishops. 
The border of the three lights consists of a vertical rod with 
crowns and entwined labels, some inscribed “ < 25 f)o mas Par her,” 
with badge—a hound couchant and collared. The outside borders 
are on a red ground, and the inner one on a blue ground. Thomas 
Parker was Prebendary of Ampleforth, from 1410 to 1423. 
VI. Third from West. Three Lights, c. 1423. 
The “ Wolveden" Window .” 
55 . Paulinus , Chad , and Nicholas. 
The.jtracery, according to Torre, contained in the apex figures 
of men and women. In the two panels below were a woman in 
white raiment, with hands clasped over an open book and a 
G 
