ALL SAINTS, NORTH STREET. 
I 3 I 
1i?e i*i bav, sail men come owt 
©t tbett* boles Si wenbe abowt. 
1L>e i*tt bav. sail banes bebe (.) 
JSe semen sett Si, att anes rvse all. 
JH?e tbtrtenb bav, sutbe sail 
Sternes (£) tbe beven fall. 
lii }c i'tv bag, all vat lives van 
Sail bv t batbe ebtlbe, man, anb woman. 
%)c j:v ba\?t vas sal betvbe 
lL>e werlbe sail bivn on ilb a svbe. + 
The artist in the window has transposed the events of the 
twelfth and thirteenth days. 
In one quatrefoil is represented the entrance of souls into glory, 
with St. Peter standing at heaven’s gate with the keys, and in the 
other is shown Satan at hell’s mouth with the wicked going in 
whilst fiends are blowing trumpets. 
IV. North Aisle (second from east). Three Lights. 
The Corporal Works of Mercy. 
The remainder of the painted windows have fine lofty octagonal 
galleried, gabled and pinnacled canopies, with figures looking out 
from the balconies. These elaborate canopies are supported by 
thin entwined shafts and buttresses, some having a niche with 
figure. The central canopy differs by having a spire supported 
by rich arcaded Hying buttresses. The canopies and shafting are 
white enriched with yellow, the former are usually on alternate red 
or blue backgrounds. The subject panels have diapered or leafy 
pattern backgrounds in alternate colours of blue and red. This 
window (fig. 49) pictures the works of mercy. 
R 
Feeding the hungry. 
B 
Clothing the needy. 
B 
Benedictine Monk 
at prayer. 
R 
Giving drink to 
the thirsty. 
R 
Showing hospitality to 
the stranger. 
R 
Visiting the sick. 
B 
Visiting those in prison. 
B 
Sun and 7 Stars above 
sunlit sea. 
B 
Donor and his wife. 
