ST. DENIS. I39 
her fingers ; in the other is St. Michael with sword preventing a 
red demon coming out of hell. 
The white diapering consists of quarries overlaid with outlined 
diamond panels. The quarries contain cinquefoils with cross- 
hatching. The panels are beaded. 
The outer lights have borders with a double rose on a red 
ground. 
II. North Aisle (second from west). Three Lights. 
Edwardian. Crucifixion. 
The canopy consists of a cinquefoil, under an ogee arch, with 
ball flower enrichment, and crocketted and terminating in a foli- 
aged finial. The cinquefoil rests on narrow shafts with caps within 
diagonal buttresses, arcaded and pinnacled of four stages, having 
a window and square-headed opening. 
B. Virgin. Christ crucified. St. John. 
St. Margaret. The Holy Mother. - 
Donor. Donor’s wife. Donor’s son. 
St. Margaret is shown bare-headed and without nimbus, and 
in the act of thrusting the end of a crozier into the mouth of a 
dragon. At the base is a kneeling figure in each light. The 
donor is presenting the window. The central panel is diapered 
with roses, and the side ones with bees. The inscription below 
reads:—“x ©rate p —amm Ifo iEolie (rtf) n ct (Uafjantie man's) et 
Jaljnts et tfltxts (sin's).” 
The central border has golden crowns on a blue ground, and 
the side borders have lions passant guardant. 
III. North x^isle (third from west). Three Lights. 
Edwardian. The Risen Christ 
This window forms a complete design, and it is intended for 
doubters of the Resurrection. It shows the unbelieving Thomas 
convinced at last that Jesus had risen from the tomb. 
The quatrefoils have central medallions enclosing heads. The 
canopy is similar to Window II. 
Christ. 
Saint. Saint. 
St. Thomas. Christ. St. John. 
Donor. 
