TOUR FROM SOURABAYA, THROUGH KEDIRI, &C. 239 
spokes and rim. The body of the chariot is very light and con¬ 
sists of a frame, with the principal seat, without any covering, 
over the axle; a lower seat is in front, for the driver, whose 
feet rest upon the insertion of the single pole, to which the 
horses are yoked. The prince and his princess are dressed 
much alike, only the man is distinguished by a graceful line 
of mustachio on his upper lip. They have ornamented head- 
dresses, whilst their attendants have the hair uncovered,combed 
smoothly back and sometimes tied in a knot behind; no hand¬ 
kerchief is ever seen. There is a battle in one place where a 
fallen hero is being run through the throat by a spear, 1 he 
bow and arrow is frequent, as also the spear and shields on 
the arm. Hard by is a warrior, wearing a tiara of Peruvian 
feathers, who has just pitched with his head to the ground 
in front of the wheel of the carriage, from which he is falling, 
and which he has been driving. The agony of the features 
is well depicted ; his wife, on the chief seat, is tumbling 
brckwards from the chariot, whilst the horses, having be¬ 
come ungovernable, are rearing and disentangling themselves 
from the yoke. The party appear to have been shot by the 
queen who is standing erect on another chariot a little in 
advance, and who lias just discharged an arrow from the bow, 
which she still holds iu the attitude of discharging. Men 
are on horse-back, seated on saddles with high peaks like 
those of our cavalry, the saddles have large flaps and are fixed 
on by bandages passing round the neck and under the tail. 
The tiaras of plumes, resembling the Peruvian head dress, 
are frequent on the south side of the building, but all is peace 
here; horses are being led to yoke to a carriage, which is 
being pulled out from under a portal. Here are two high 
personages with a trisuld or trident between them ; an at¬ 
tendant is kneeling behind. Further on towards the east, 
there are many female figures wearing a kind of sarong, with 
the bare hair neatly combed back, apparently meant for 
royal attendants; they would answer for Javanese, even in 
features, except the nose which is sharper than what they 
usually possess. Near this is a holy man, with a flowing 
beard, receiving some present from a princess, who is squat¬ 
ting on a couch or bali-bali, attended by two maid servants, 
kneeling at the side of the couch. The holy man stands 
upright and is followed by another similarly bearded, behind 
whom is a male attendant with bald or shaven head. There 
is represented the Lontar palm bearing fruit, and some other 
trees, amongst which apparently the mangga, also the cocoa- 
nut, with bunches of pendant fruit. Again a payong or state 
