32 
THE MODERN LITERARY HISTORY OF HINDUSTAN. 
extremely condensed, being little more 
tlian a table of contents. He is possi¬ 
bly tlie same as a Chhattr’ Pati Kabi 
mentioned by Sib Siggh. 
76. Maharaj Uday 
Siygh, of Mdr’Lvctr. FI. 1584 A.D. 
In bis name an unknown bard 
wrote a work called Khyat, in which 
are detailed the histories of Uday 
Siygh, of his grandson Gaj Siygh, and 
of his great grandson Jas’ivant Siygh. 
See Tod, ii, 4 (where Gaj is incor¬ 
rectly called Uday’s son), and ii, 30; 
Calc. ed. 
ii, 32. 
77. 
the poet Jiban. 
B. 1551 A.D. 
Haj.,: 
Rag. 
00 
• 
the 
poet 
Mcmik Chand. B. 1551 A.D. 
Rag. 
79. 
s3)YTt TTR 3\fV, 
the 
poet 
Udho Ram 
. B. 1553 A.D. 
Haj., 
F Rag. Cf. No. 495. 
80. 
the 
poet 
Nand LclI. 
B. 155Jj A.D. 
Haj. 
81. 
Ganes Ji 
Misar. F 
1. 1558 A.D. 
00 
the 
poet Jalalu’d din. B. 1558 A.D. 
Haj. 
83. 
the 
poet 
Oli Rotm. 
B. 1564 A.D. 
Haj. 
84. , Damodar Dfits, 
of Braj. B. 1565. 
Rag. Possibly the same as a 
Damodar Kabi mentioned by Sib Siggh, 
without date. 
85. snrrer Jamalu’d din, 
of Pihani, district Hardoi. B. 1568 
A. D. 
No particulars. He is possibly 
the same as a Jamal Kabi, whom Sib 
Siggh gives as born in 1545 A.D., 
and as being skilled in emblematic 
verses (frer). 
86. the poet Nandan. 
B. 1568 A.D. 
Haj. 
87. the poet Khem, 
of Braj. B. 1573 A.D. 
Rag. He wrote on lovers. 1 He is 
possibly the same as a poet Chhem, of 
the Dodb, mentioned by Sib Sipgh. 
Cf. Nos. 103 and 311. 
88. the poet Sib. B. 
1574. 
Haj., Sun. 
89. QoLdir Bakhsh, 
the Musalman, of Pihani, district 
Har’doi. B. 1578 A.D. 
A skilled poet. He was a pupil 
of the elegant author Sayyad Ibrahim, 
of Pihani (No. 67). 
90. cjrfir, the poet 
Am’res. B. 1578 A.D. 
Reputed as a very excellent poet, 
many of whose poems are in Haj. 
1 When it is said that a poet wrote on lovers, it is to be understood as a 
translation of a statement made by a Native authority that he wrote a Ndyak 
Bhed or a Ndyikd. [or Nayakd. (sic)] Bhed. These are technical names for those 
works in which the various kinds of heroes ( ndyalc ) or heroines ( ndyihd ) are 
described and classified to an extreme, and often absurd, minuteness. A further 
development is the Nakh’sikh, which will be frequently met with further on, 
in which all the portions of the body and features of a possible hero or heroine, 
from the toe-nails ( nakli) to the top-knot (sikh), are similarly classified. 
