22 
But I shall not give a separate example of this colour, as I shall have an 
opportunity of introducing it in its proper place, in the following compo¬ 
sition of pale crimson,or pink. 
The contrasting colour to this is a warm 
pink, with the proper addition of black. 
green,^jiale in proportion to the 
The^harmonising tint^a deeper pink,or crimson; the reflected tint as 
before,^ composed of the princijd\ colour, and contrasting tint: if yellow is 
introduced into this composition it must be carefully managed, so as not to 
be too powerful; and a little of the^e yellow,and pale pink, .mixed, forms 
%^^&^ 0mses exc eedingl_yjvith the pink. The yellow 
afe^pale purple, which is also an advantage; andjhay be introduced 
both in the shade, and at the extremities on the light side. The deep* 
crimson may also be introduced in the shade here, and<ives a more forcible 
effect to the whole. ^ 
Having now gone through the whole range of prismatic colours, and 
shewn the management of each colour separately, I shall next attempt to 
do the same m the arrangement of them all in full groups; .assigning to each 
tliur proper place and q^mtity, according to thw rwpoottvc stren<nh and 
power in comp^,t.on£adding such rules as & wi „ be 
necessary- -* —- * - ^ “ 
