THE THEATRE. 
This view exhibits another of the wonders of Petra. The Stream of Wady Mousa, 
here turning to the south, enters a ravine gradually narrowing. The cliffs are perforated, 
as usual, with numberless excavations; but the largest labour of this order, and the one 
which most directly meets the eye on entering the City from the eastward, is the 
Theatre. Its form, parts, and dimensions, are still ascertainable. The diameter of 
the Podium is 120 feet, 1 the number of rows of seats is 33, and of the Cunei 3; and 
as the benches are capable of containing about 100 persons each, the entire would thus 
give room for upwards of 3000. Behind the upper bench runs a narrow corridor. 
The Scena was built, and not excavated; the whole, therefore, has fallen. But the 
bases of four columns remain on its interior face. All the rest was hewn out of 
the living rock. Above the highest row of the seats are small chambers excavated 
in the cliff. The Theatre fronts the east-north-east. From the upper or southern 
front is obtained, perhaps, the most striking view in the whole valley. The opposite 
or eastern cliff, as it here skirts the track, is low; while above it, farther back, is 
another higher precipice, extending towards the north. 2 
The Engraving affords a view of the general height of the cliffs enclosing the 
Ravine which leads to the City. Its entrance and its termination were alike defended 
by small fortresses formed in the rock, but now ruined by earthquakes. Immediately 
facing the Ravine, and on the left of the spectator, is a rock, formerly crowned by 
a circular Monument, of which but the lower portion remains. 3 The ancients knew 
the power of first impression, and in all their cities seem to have studied to render 
the entrance most impressive. But the site of their City supplied the Petrseans with 
singular advantages, which they employed to the utmost. In entering Petra on this 
side, the eye of the stranger was met by a succession of objects the most novel, bold, 
and striking. He first saw this Monument, probably a noble tower, suspended above 
his head. He next saw the Theatre, an immense work of wealth and labour, which 
though now reduced to the simple excavation of the seats, we may justly suppose 
to have possessed the pillar and the portico, with every decoration which could embellish 
the most favoured resort of a splendid people. Above both Monument and Theatre, 
he followed both excavations of the richest and most fantastic style, ascending to the 
summit of the cliffs, and those cliffs themselves exhibiting the hues of painted scenery 
on the most colossal scale. Even now, in all its desolation, all is beautiful. Nature 
has hung the rocks with prodigal and glowing vegetation ; where the sculptured ornament 
has mouldered away, the shrub and the flower have partially supplied its loss,—have 
festooned the cliff, and coloured and tissued the ruin. 
1 Irby and Mangles, 
5 Biblical Researches, ii. 521. 
Roberts’s Journal. 
