330 
(aj Finlanders Dance 
on the Banks of Leivaniemi. 
n 
ppB 
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r—o .. 
r-- 1 — 
n \ mf" 
r 
nr: — -f- N .. 
K-fr- 
t=f=A 
:cr C-i- : : 
1 — 
) J 
1—J 
iM-i —-— u — 
TfT T 
f / i: 
q— r « h f - i ■ » f r r " “4 —*~~fr 
(aj It is to he ohferved in this Tune,that the whole of the firft 
part,and four Bars of the fecond,are within the compafs of the 
five Notes of the Harpu -hut the three laft are two Notes out of 
the compafs-,the Violin,or the introduction of the Fiddle,infpi- 
red this licence. It is a timid ftep out of their limited circle,and 
*for thole who are fond of minute enquiries upon this fubject,it 
may fhew how the introduction of a new Inftrument,lefs limi¬ 
ted than the firft ,introducesnew ideas, and changes "by degrees 
the character of the ancient Mufic. The fecond part has the fault, 
of having an unequal number of Bars ( 7 ) which is a licence in 
the ufual mode of compofition,hut which fhews that this rule is 
not to be £0 ftrictly attended to, as not being founded on nature. 
