S C) M E RECENT WORK OF 
C. F. A. VOYSEY 
AN ENGLISH ARCHITECT 
THE ENTRANCE 
FROM THE UPPER TERRACE 
T HE house-building public in England 
has begun, but with deliberation, to ac¬ 
cept the guidance, if such it is, of those artists 
who may best be described as belonging to 
the school of white roughcast and green paint, 
and who seemingly are destined in the future to set 
the fashion tor all domestic building. That the feat 
of capturing this appreciation is a testimony to the 
real merits of the particular work in question would 
be difficult to establish, so often is the public ap¬ 
proval open to suspicion on matters ot art as in 
other directions. Nor is it from coyness alone 
that designers of no less truthful endeavour have 
felt constrained to reassert their view that avoidance 
of all traditional element is too drastic a measure 
to apply to architectural design, the most ordered 
ol all the arts. It is not, of course, that 
the work ol those designers and architects 
to whom Mr. Voysey’s theories and pro¬ 
ductions have seemed perfection, is really 
THE ENTRANCE COURT 
“ NEW PLACE,” HASLEMERE 
254 
