House and Garden 
is effectively followed and the other a treat¬ 
ment, quite the artist’s own, which exhibits a 
keen analysis of color, especially in shadows. 
Of the former may be mentioned the archi¬ 
tectural sketches made in Spain; of the latter, 
“ Montmartre,” the “ Ponte Vecchio at 
Florence ” and “A Stair and Fountain in 
the Villa Lante.” A sketch of a bay near 
Tarragona and a group of plants in the Gas¬ 
tello Garden, have the charm of a free and 
unhesitating use of the brush. A drawing 
at scale of a mosaic altar in the church of 
San Cesareo and a sketch of the Arch of 
Constantine are the best of this contributor’s 
clever architectural renderings. 
Mr. John Molitor, who was the sixth 
holder of the Stewardson Memorial Scholar¬ 
ship, exhibits nine measured drawings and 
forty-two sketches, which were made during 
a year of foreign travel. Several of the former 
are architectural esquisses made in a Paris 
atelier. An inlaid mosaic panel at Ravello 
is a good application of color to measured 
work, and “ The Entrance to the Hotel de 
Vogue at Dijon” is excellent. The sketches 
of sunny Spain are truthful records of color 
values and architectural proportions, and a 
useful undertaking has been the measurement 
of the gardens of the Villa Lante, as they exist 
today, in which Mr. Molitor has corrected 
by a well-drawn plan a number of published 
inaccuracies in the layout of the property. 
GARDENS 
In addition to the two examples of garden 
design and measurement already mentioned, 
the field of landscape architecture is chiefly 
represented by the work of Mr. Eyre. 
Especially interesting is his garden for a 
proposed house at Oyster Bay, which is 
strikingly free from overwrought architec¬ 
tural adjuncts when compared with “ A City 
Garden ” of which an elaborate pergola is 
the dominating feature. Mr. Keen’s ex¬ 
ecuted gardens, as he now shows them by 
means of photographs, fulfill the promise 
of his sketches, formerly exhibited, and in 
some cases published in this magazine. Mr. 
L. V. Boyd contributes some clever work in 
garden-craft; and an imposing water-color 
drawing, exhibited by Mr. C. W. Leavitt, Jr., 
shows, in the most elaborate landscape scene 
of the exhibition, a formal garden beside a 
natural lake on a property at Rye, N. Y. 
In a class entirely by itself is a delightfully 
mobile sketch, entitled “ A Rest in the 
Woods,” by Mr. Phineas Paist. Its free 
spirit would count for naught did it portray 
anything but an excellent architectural idea 
which is the basis for an individual and sen¬ 
sitive touch of the crayon and brush. 
I’he catalogue of the exhibition is dedi¬ 
cated to the memory of Amos J. Boyden, 
an early member of the T-Square Club who 
has recently died, ddie book is an ambitious 
volume and celebrates the twentieth anni¬ 
versary of the Club, the history of the or¬ 
ganization during this period having been 
entertainingly written by the editor, Mr. 
William Charles Hays. A number of“special 
illustrations,” representing important work 
designed within recent years in this country, 
occupies the latter half of the book. These 
are unfortunately inserted without explana¬ 
tion (due to a printer’s oversight), and must 
be somewhat confusing to a visitor to the 
exhibition who is inclined to classify the 
book as a permanent publication rather 
than a convenient and easily carried key to 
the collection of drawings. 
95 
