STEIN WAY 
UBINSTWK 
Runs fortlw C^ar 
painter) for the 
STEIIVWAY 
COLLECTION 
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THE INSTRUMENT OF THE IMMORTALS 
H E who owns a Steinway is in the company of the 
great. Rubinstein, who charmed care from the 
heart of the Czar of all the Russias; Liszt, to whose home 
in Weimar came emperors and kings and prelates of 
the church to steep their souls in the solace of his art; 
Wagner, the giant of modern music, dreamer of tone 
visions that are among the most precious inheritances 
of man; Paderewski, loved as an artist, revered as a man, 
who played his way across a continent to save his 
country! These are but a few of the towering figures 
of music to whom the Steinway has been “not alone an 
instrument, but an inspiration.” In homes of culture the 
world over; in European palaces of royalty and nobility; 
in great conservatories of music everywhere, the 
Steinway is the chosen piano. “There are many good 
pianos,” said a famous critic, “but only one Steinway.” 
And the reason for this is simple—the materials which 
go into a Steinway are available to the whole world, 
but the genius which transmutes them into Steinway 
tone begins and ends with Steinway. 
Sleimvay & Sons and iheir dealers have made il conveniently possible for music lovers to oivn a Steinivay. 
Prices $875 and up, plus freight at points distant from Nerv Yorfy. 
STEINWAY & SONS, Steinway Hall, 109 E. 14th Street, New York 
