The Sculptures of Faulkner Farm 
terraces and steps, vases, urns and sculptured 
fragments of many kinds, all mingle with the 
well-controlled vegetation until it would be 
hard to say which was of primary import¬ 
ance. And the same is true of the Japanese 
garden where the influence of men’s hands 
and brains is less evident, though equally 
omnipresent, and where big lanterns of stone 
and bronze, crafty little bridges, terraces and 
pavilions all work themselves into the pic- 
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