45 
1, and R. S. 1.) 
S. 2.) 
S. 1.) 
Analogous and Contrasting Tones. The colors that are some- 
what alike in hue are called analogous colors, and the tones of a 
color that are near together in the scale are called analogous tones; 
those that are far enough apart in the scale to contrast with each 
other are called contrasting tones. The tones that are near to- 
gether in the scale, that is, the analogous tones, are most easily har- 
monized, and produce a softer effect than those that are so far apart 
as to produce a contrast of intensity. 
Combinations. The following are some of the simple combina- 
tions of Dominant Harmony in two tones : 
Red. 
1. Red and Darker Red Shade. (R. and R. S. 2.) 
2. Darker Red Tint and Lighter Red Shade. (R. T. 
Orange. 
3. Orange and Darker Orange Shade. (0. and 0. S. 2.) 
4. Darker Orange Tint and Darker Orange Shade. (0. T. 1, and 0. 
5. Lighter Orange Tint and Lighter Orange Shade. (0. T. 2, and 0. 
Yellow. 
6. Yellow and Lighter Yellow Shade. (Y. and Y. S. 1.) 
7. Darker Yellow Tint aud Lighter Yellow Shade. (Y. T. 1, and Y. S. 1.) 
8. Darker Yellow Shade and Lighter Yellow Tint. (Y. S. 2, and Y. T. 2.) 
Green. 
9. Green and Darker Green Tint. (G. and G. T. 
10. Lighter Green Tint and Darker Green Shade. 
11. Lighter Green Tint aud Lighter Green Shade. 
Blue. 
12. Blue and Lighter Blue Tint. (B. and B. T. 
13. Darker Blue Tint and Darker Blue Shade. 
14. Lighter Blue Shade and Lighter Blue Tint. 
Violet. 
15. Violet and Darker Violet Shade. (V. T. 1, and V. T. 2.) 
16. Darker Violet Tint and Lighter Violet Shade. (V. T. 1, and V. T. 1.) 
17. Lighter Violet Shade and Lighter Violet Tint. (V. S. 1, and V. T. 2.) 
There are a number of pleasing combinations that the different 
scales of tones of the hues will produce, the following are a few of 
the many that may be made with two tones : 
18. Violet Red and Darker Violet Red Tint. (V. R. and V. R. T. 1.) 
19. Lighter Violet Red Tint and Darker Violet Red Shade. (V. R. T. 2 
and V. R. S. 2 ) 
20. Darker Violet Red Tint and Darker Violet Red Shade. (V. R. T. 1, 
and V. R. S. 2. 
21. Green Blue and Lighter Green Blue Tint. (G. B. and G. B. T. 2.) 
22. Lighter Green Blue Tint and Lighter Green Blue Shade. (G. B. T. 2, 
andG. B. S. 1.) 
1.) 
(G. T. 2, and G. S. 2.) 
(G. T. -2, and G. S. 1.) 
2.) 
(B. T. 1, and B. S. 2.) 
(B. S. 1, and B. T. 2.) 
23. Darker Green Blue Shade and Darker Green Blue Tint. (G. B. S. 2, 
and G. B. T. 1.) 
24. Blue Violet and Darker Blue Violet Tint. (B. V. and B. V. T. 1.) 
25. Lighter Blue Violet Shade and Lighter Blue Violet Tint. (B. V. S. 1, 
andB. V. T. 2.) 
26. Darker Blue Violet Shade and Lighter Blue Violet Tint. (B. V. S. 2, 
and B. V. T. 2.) 
The following combinations in three tones will be found pleasing 
in effect : 
27. Red, R. T. 2., R. S. 2., R. T. 2., R., R. T. 2., R. S. 2., R. T. 2., R. 
28. R. T. 2., R, R. S. 1 , R., R. T. 5.. R. R. S. 1., R.. R. T. 2. 
29. Orange, 0. T. 1., 0. S. 2., 0. T. 1., 0., 0. T. 1., 0. S. 2.. 0. T. 1., 0. 
30. 0. S. 1., 0. S. 2., 0., 0. S. 2., 0. S. 1., 0. S. 2., 0., 0. S. 2., 0. 
S. 1. 
31. Yellow, Y. T. 2., Y. S. 2., Y. T. 3., Y , Y. T. 2., Y. S. 2., 
Y. 
32. Y. T. 2., Y. T. 1., Y., Y. T. 1„ Y. T. 2., Y. T. 1. 
T. 2. 
33. Green, G. T. 2., G. S. 2., G. T. 2., G., G. T. 2., G. 
G. 
34. G. T. 2., G., G. S. 2., G., G. T. 2 , G., G- S. 2., G., G. T. 2. 
35. Blue, B. T. 2., B. S. 2., B. T. 2., B., B. T. 2., B. S. 2., B. T. 2. 
36. B. T. 2., B. T. 1., B., B. T. 1., B. T. 2„ B. T. 1., B., B. T. 1. 
T. 2. 
37. Violet, V. T. 2., V S. 2., V. T. 2., V., V. T. 2., V. S. 2., V. T. 2., 
V. 
38. V. T. 2., V T. 1., V, V. T. 1., V. T. 2., V. T. 1., N., V. T. 1., V. 
When, as in these cases, more than two tones or two colors are used, 
the circles should not be much more than half an inch in diameter, 
and they should be at least half a diameter apart. 
If these are arranged nine in a row, those at the two ends will be 
alike in tone, which will give the row a balanced effect. The initials 
of the colors are given in the order in which they should be arranged. 
Many of the harmonies that are produced by uniting the different 
tones of the same color are weak and wanting in effect, unless they 
are enlivened with touches of other harmonious colors. Those of a 
complementary contrast are usually the most satisfactory for this pur- 
pose. The introduction or these enlivening touches of color is al- 
lowable in all compositions of color work, as is also the use of the 
neutral colors, white, black, gray, gold and silver. 
Y. T. 2., 
Y, Y. T. 1., Y. 
S. 2., G. T. 2., 
B. 
B. 
