Red-Toned Bi-Colors, in which the falls of a brilliant red tone 
are the predominating color, but which have bronze, or tan or 
old gold or other colored standards.—Al-lu-we, Berkeley 
Bronze, Blenheim, Brasier, Bronze Beacon, Carnelian, Cheerio, 
Cupavo, E. B. Williamson, Gift, Golden Helmet, Hermitage, 
Jeb Stuart, Junaluska, Legend, Lord Lambourne, Magnifica, 
Nene, Neon, Nordic, Spokane. 
Pink Tones (Light, Medium and Deep Pink)—Aphrodite, 
Aubenal, Ballet Girl, Berkeley Ace, China Maid, Constance 
Meyer, Day Dream, Dogrose, Edgewood, Eloise Lapham, Eros, 
Ethelwyn Dunbar, Fascination, Fragonard, Frieda Mohr, 
Frivolite, Imperial Blush, Kate Izzard, Magenta, Miss. Calif¬ 
ornia, Mme. Pompadour, Morocco Rose, Mrs. Marion Cran, 
Pink Butterfly, Pink Lotus, Pink Opal, Pink Satin, Rhein- 
gauperle, Rose of Cuba, Solferino, Thais. 
Brown, Copper, Tan, Old Gold, Buff and Bronze Tones— 
Bronze Champion, Bronzino, Brown Betty, Byzantium, Copper 
Lustre, Euphony, Far West, Gilead, Jean Cayeux, King Midas, 
Monal, Nurmahal, Pongee, Sea Dawn, Summer Tan, Tint 
O Tan, Tuscany Gold. 
Light Blends, in which several colors are blended together to 
make light pastel blends—Allure, Anne Marie Cayeux, Asia, 
At Dawning, Aubade, Banneret, Beotie, Candlelight, Chloris, 
Genevieve Serouge, Hollywood, K. V. Ayres, Lily Pons, 
Ningall, Noweta, Orient Pearl, Queen Anne, Rhadi, Shot Silk, 
Shrine of Gold, Spring Maid, Theme, Vishnu, Zaharoon. 
Medium Blends—Amenti, Clara Noyes, Coronet, Crown 
Jewel, Desert, Dolly Madison, Equipoise, Evolution, Golden 
Flare, Khama, Marquita, President Pilkington, Mary Elizabeth, 
Mary Geddes, Mary Gibson, Mary Senni, Rameses, Setting Sun 
Super Geddes, Talisman. 
Rich Deep Blends, dark rich colors that remind one of the 
rich colorings in fine Persian rugs—Ambassadeur, Betelgeuse, 
Bruno, Chamita, China Boy, Depute Nomblot, Egypt, Grace 
Sturtevant, Klamath, Moa, Mrs Valery West, Persia, Melchior, 
Morgane, Old Ironsides, Shirvan, Sir Michael, Sir Michael, Jr. 
Tapestry, Vert Gallant, Zuni. 
White—Several whites should always be included. They are 
indispensable with the darker colors for garden effect—Colum¬ 
bine, Cosette, Crystal Beauty, Easter Morn, Gudrun, Madel¬ 
eine Brun, Marie Poole, Mrs. Robert Emmett, Micheline Ghar- 
riere, Moonlight, Mount Cloud, Mountain Snow, Mouut 
Washington, Purissima, Selene, Shasta, Silver Chimes, Silver 
Jubilee, Sitka, Snowdrift, Snow King, Snow Plume, Venus 
de Milo, Wambliska, White and Gold. 
Cream and Ivory Tones—Bermuda, Moon, Eothen, Ivory 
Coast, Kalinga, Lagos, Nanook, Nativdad, Sunglow, Sweet 
Alibi, Vestal Flame. 
White Bi-Colors—In which the Standards or upper petals are . 
white, or near white, and the falls in some rich color—Canta- 
bile, Dorothy Dietz,Mildred Presby, Rheintochter, Shah Jehan, 
Wabash. 
"Plictas”—In which the ground color is white, or peach 
or soft yellow, peppered or feather-stitched with another color 
—Anndelia, Ariane, Blue Chintz, Castor, Claribel, Cydalise, 
Electra, Fedalma, Franklin B. Mead, King Karl, Liberty Bell, 
Los Angeles, Maid of Astalot, Merry Widow, Mourning Dove, 
Mme. Louis Areau, Orloff, Seduction, Siegfried, True Delight, 
Wasatch. 
Yellows, like whites, are needed in every collection, to bring 
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