66 
KERAMIC STUDIO 
(Continued from page 53) 
No. 11 : Brown stems, pale Green leaves, flowers, two 
shades of Yellow, Orange center. 
No. 12 : Can be used in any color on any ground as 
desired. Can be repeated as a border on pottery or used 
as medallion or center unit. Black on yellow or green. 
Blue on white or green, or in light colored enamels on dark 
ground. 
No. 13, for Satsuma or white ground : Dark portion, 
a rich Blue enamel, lines in Gold and Green. Flower in 
Yellow shaded to Orange. 
No. 14, for white or celadon ground: Background 
painted a rich Yellow flat enamel. Circle, leaves and stems 
in Black enamel. Center flower, center, Deep Blue, then 
Turquoise Blue with Green outer circle and Red dots. Side 
flowers have Purple centers surrounded with pale Yellow 
Green and greenish Blue outer circle, all white dots are 
Turquoise and black dots are Red. If this design is used 
on pottery or furniture it should be made heavier. 
No. 15: This basket of flowers can be used in any 
desired color scheme to harmonize with borders used, or 
on furniture to give the color scheme which harmonizes 
with room. It can be worked out in enamels or painted 
in colors. 
No. 16 can be executed in a combination of flat and 
enamel painting or in flat painting alone, a dainty border 
should go with it. On china fine lines foiming a narrow 
band with diapering between and open medallions in which 
a portion of the basket or a spray can be used. It can be 
executed entirely in Delft Blue or in a color scheme of 
Red, Yellow, Orange and Brown, or in Gold and many 
colored enamels. 
No. 17 is for Gold or one color and enamel. 
Nos. 18 and 19: Orange, Mauve, Grey and Grey 
Green. 
No. 20 is especially adaptable to furniture. Peacock 
Blue on Orange with Black lines, dots and circle will make 
an effective combination. 
No. 21: Suggested treatment: Ground, light Olive 
Brown. Center spot, Deep Blue surrounded by Orange. 
Four Black corners, Peacock Blue. Two leaves, Green, 
Small triangular spots, Violet and two long horizontal spots, 
Deep Blue. 
No. 22: Suggested treatment: Ground, Turquoise. 
Edge and leaves, rich Purple. Center of flower, deep 
Violet, next pale Apple Green. Outer line, Deep Blue. Dots, 
deep rich Green. 
No. 23: Suggested treatment: Ground, Mauve Grey, 
Semi-circle and lines, warm, dark Green Grey. Flower^ 
center petal and two large horizontal petals, Corn color! 
Two side petals, deeper Corn color, all other smaller snots' 
dull Red. ' 
No. 24 : Center of pumpkin, Yellow. Sides, Orange 
Two spots at back, Red. Stems, Violet Brown. Leaves,' 
Olive. Background at top, Deep Blue. Back of pumpkin^ 
pale Yellow. 
No. 25 may be painted in several shades of Delft 
Blue or scrolls greenish Blue shading into Green. Fine 
lines in greenish Blue. Rooster : comb, Red, beak and claws 
Yellow, eye Red, head Brown shading into Peacock Blue 
on breast to Green at tips, body Green shading into Red 
on legs. Tail feathers, Brown shading into Blue into Green. 
No. 26 : Flower, Salmon Pink in three shades. Back- 
ground, greyish Cream. Lines, pale Olive Green for heavy 
lines and pale Yellow Brown for fine lines. 
No. 27: Background a dull Green Blue. Berries dull 
Red (Violet of Iron). Stems, Violet Brown. Two leaves 
next the berries, a light Brown Violet, other leaves and 
edge a deep Brown Violet. This design like Nos. 20, 23, 
26 and 34, is easily adaptable to furniture. A brighter 
color scheme would be on a dull Orange ground: Scarlet 
cherries, deep Purple stems and edge. Two leaves next the 
berries, a greenish Blue, other leaves a deep Bluish Green. 
No. 28: Center, crossed bars of Orange, petals, deep 
Purple Blue. Other two flowers, two shades of Violet with 
Orange centers. Leaves, bluish Green. 
No. 29 : This basket suggests treatment in very brill- 
iant enamels and can safely be left to the fancy of the 
decorator. 
No. 30: This also suggests brilliant enamels on a 
Black or Deep Blue or Purple ground. 
No. 31 : Center, Orange. Stamens, Yellow. Petals, 
Coral or Orange Red. Leaves, deep Yellow Brown on a 
pale Yellow ground. 
Nos. 32 and 33 are for bright enamels on any colored 
ground according to fancy. 
No. 34 may be treated similarly to Nos. 20, 23 or 27. 
Of course none of these color schemes are arbitrary, they 
are only suggestions. 
BELLEEK VASE IN ENAMELS 
Arthur L. Beverly 
VVTHITE in design is the warm cream of the Belleek ware. 
▼ ▼ Light gray background spaces in a Tan enamel. Gray 
of design in Orange and a light warm enamel, block value 
is a rich, warm Mulberry enamel. 
