KERAMIC STUDIO 
47 
VASES (Page 44) 
Essie Foley 
TOP VASE— Oiled and dusted. Outline of Finch and 
line below panels are 1 Pearl Grey, 2 Rose. Head, 
back and breast, tint a light wash of Pearl Grey. The tail 
is black, leaving spots white. Beak and most of the spots 
in panels are Ruby. A few of them are Yellow Brown. The 
space around spots in panels is Deep Blue Matt. Outline 
of panels is Copenhagen Blue. Tinting for lower part of 
vase, 1 Yellow Brown, 2 Ivory Glaze, 1 Yellow Green. 
Lower Vase — Oiled and dusted. The head and all out- 
lines, 1 Violet of Iron, a touch of Ruby, 1 Ivory Glaze. 
Breast, beak and foot a thin wash of Albert Yellow. Upper 
part of wing, 2 Pearl Grey, a touch of Copenhagen, 1 Ivory 
Glaze. Outline bird with Black if desired. Narrow space 
between lines and around bird, a thin wash of Turquoise 
Blue. Branch Dark Brown subdued with Ivory Glaze. 
Tint wide spaces between lines at top, 2 Pearl Grey, y 2 
Brown Green, 1 Ivory Glaze. Tint lower part of vase, 2 
Pearl Grey, y 2 Yellow Red, 1 Ivory Glaze. 
Motif in upper right J hand corner — Oiled and dusted. 
1 Peach Blossom and 1 Ivory Glaze. Outlines and branch, 
Copenhagen Blue. Feet, Dark Brown. 
Motif in lower left-hand corner — Oiled and dusted. 
Outline is 1 Violet of Iron, y 2 Rose, 1 Ivory Glaze. Beak 
and claws are Violet of Iron, a touch of Ruby. Head is 
Apple Green, touch of Dark Green. Bird is, 1 Pearl Grey, 
y 2 Apple Green, 1 Ivory Glaze. 
PLATE AND CUP AND SAUCER (Color Study) 
Arthur Beverly 
TRACE design in India ink. Oil flower forms; dust with 
Banding Blue three parts, Violet No. 2 one part, Ivory 
Glaze three parts. Oil leaf forms; dust with Pearl Gray one 
part, Apple Green two parts. Oil centers and dots and dust 
with Pearl Gray one part and Yellow Red one part. 
Clean edges so that design is very crisp. This design and 
treatment should need but one fire, but in case it needs re- 
touching the same color can be mixed with oil and applied 
over weak places. This design can be easily adapted to other 
pieces in the set. For a tall creamer the round panel on 
saucer can be made oval to suit. 
BELLEEK BOWL— ELISE TALLY HALL 
OUTLINE in black. Darkest space near center of flower 
in black. Gold bands at top and bottom and enclos- 
ing medallion. Flowers, § Old Chinese Pink, § White. Leaves 
i Old Chinese Blue, J Old Egyptian Turquoise, J White. 
Light places on flowers near center J Dull Yellow, J White 
and touch of Black. Space above medallion tinted a soft 
Grey Blue. Flower form in this space, f Old Egyptian Tur- 
quoise, | White. Light space in center same Yellow; dark 
places, Dark Blue. Outer light space is the pink mixture. 
Inside band; flower form same as outer flowers; leaves same 
blue as used on inside. 
