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KERAMIC STUDIO 
PAINTED LUNCHEON SET (Page US) 
F. R. Weisskopf. 
THIS set can be very effectively worked out in enamels. 
The plate, cup and saucer show placing of the design 
on china. The other motifs can be used on the teapot, 
chop plate, etc. 
In making the oilcloth set, first cut and bind edges. 
Trace design with carbon paper then fill in outlines, using 
the paint as one would use enamels on china. 
The colors are mixed as follows: Artists' oil paint 
is the body, and ordinary spar (floor) varnish is used as 
the oil medium is used in china, using it about 50/50. 
Use color sparingly, mixing to the shade desired with 
flake white. Keep the colors in the color box (wells) used 
for china, as they dry out rapidly. Following is a useful 
collection of tubes: Crimson Lake, Scarlet Lake, Chrome 
Yellow, Chrome Orange, Chrome Green, Mauve, Antwerp 
Blue. 
CYLINDER VASE ON SATSUMA ROSE JAR 
Elise Tally Hall 
TO be carried out on Belleek or Satsuma, in enamels. 
Flower form Cafe au Lait, with centers and round 
dots outside Orange No. 3. The two bands forming frame 
are also Cafe au Lait. Leaf forms are Florentine No. 2, 
with white round dots Jersey Cream. 
CYLINDER VASE ON SATSUMA ROSE JAR— ELISE TALLY HALL 
CORNER OF TABLE MAT IN SANITAS TO GO WITH LUNCHEON SET— F. R. WEISSKOPF 
