156 
KERAMIC STUDIO 
I 
ART NOTES 
(Continued from page 145) 
both in Europe and American art, and proved a delightful 
study for the real student of art. One of the most interest- 
ing groups was one of thirteen paintings from the French- 
man Montecelli, one of the greatest colorists of modern 
times. 
There was a small but important group from the great 
Barbizon artists and from the Dutch school, England and 
Spain, and last but not least, about forty of our own 
American artists completed the collection which was one 
of the finest ever assembled in Minneapolis. 
VASELINE JAR, VERBENA 
Alice B. Sharrard 
TONE entire jar with Coalport Green one part, Yellow 
Ochre one part. Dark portion of design Gold or Dark 
Green. Blossom, Shell Pink. Leaves and stems, Grey Green 
touched with Blue. Light parts of border Coalport Green or 
Apple Green. Top: Blossom Shell Pink surrounded by Gold 
or Green. Center parts of design Grey Green and Ivory, the 
Ivory predominating. Small figures Dark Green. Ivory edge 
toned with Grey Green. 
VASELINE JAR, VERBENA— ALICE B. SHARRARD 
EGYPTIAN BOWL (Supplement) 
Arthur L. Beverly 
FOLLOW color as given except in the case of the large 
scroll at the right which should be blue. Trace design 
on the china and oil all the blue spaces and dust with 3 parts 
Water Blue and 1 part Dark Blue for Dusting. It would 
probably be easier in oiling the scrolls to oil over the center 
surface and dust it and then scratch the color away for the 
white space. The green scrolls could be oiled the same way 
and dusted with Bright Green. 
ICE BOWL— ALICE B. SHARRARD 
TJANDLES and band with conventional figure, Water leaves, Moss Green, Brown Green for shading, allowing the 
L 1. Green, outlined with Gold, also gold flower form and background tinting to blend into greenish blue in high lights, 
small blocks. Paint flowers in natural color: Crimson for Outline, Gold, 
blossoms, shaded with Gray for flowers and deeper pink shades; 
