176 
KERAMIC STUDIO 
and Violet for shadows. Boat is Yellow Brown, 
in water is Yellow Brown and Violet. 
Shadow 
PLATE BORDER— LANDSCAPE 
OIL grey bands and trees and dust with Glaze for Green. 
The fine line and the three small grey spaces at edge 
are Green Gold. Paint foreground in landscape with Apple 
Green and a little Yellow Brown, the trees with Apple 
Green, Shading Green and Banding Blue, with strong- 
touches of Copenhagen Blue and Banding Blue in deepest 
shadows. The look-out house is Yellow Brown with touches 
of Violet and Banding Blue for shadows. Sky is Violet, 
a little Blood Red and Deep Blue Green near horizon, with 
Deep Blue Green and Sea Green for the light tone. Water 
is the same color, using more Violet and Banding Blue. 
Sail is a thin wash, of Yellow for light and Yellow Brown 
PLATE BORDER— ROSES 
¥> AINT roses with a very thin wash of Rose for the light 
■*• tone and use it a little heavier for shading. For 
center use Rose and a little Blood Red. Leaves are Apple 
Green and a little Albert Yellow for lights and Yellow 
Brown and Brown Green added for darker tone. Add some 
snappy touches of Blood Red in touches of background, also 
Yellow Brown in some places and Violet. Black lines and 
leaves are Green Gold and the grey edge is painted with 
Dark Grey and a very little Rose. 
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MOTIFS FROM THE DAHLIA— FLORENCE R. WEISSKOPF 
These motifs taken directly from the dahlia study using transparent tracing paper. The supplementary lines are done in Black 
Ink and the portion traced in Opaque Wash. They will make interesting repeats in a border or may be used singly 
on small pieces of china. Will lend themselves particularly well to gold or silver 
with one or two delicate tones for table ware. 
