KERAMIC STUDIO 
m 
necessary to discuss the use to which stencilled textiles can 
be put, but there is one thing worth considering and that 
is, these finished things can be works of art or they may 
be very commonplace productions, according to the quality 
of their excellence. However, the only excuse there is for 
anything which takes as much time to do as stencilling is 
the Art that there is in it. Whether you use stencilling to 
give an added beauty to something for your own use, for 
the professional market or as a means of working out prin- 
ciples of design in the class room, it offers possibilities 
which ought not to be ignored. 
(5 
3&: 
c^ 
STENCIL KMlFf 
One half size 
<£ 
Figure 9 
STCNCIL BRUSH 
CIDER PITCHER— ELISE TALLY HALL 
TRACE in design and ink it, then oil the leaves and dust bands in Mode. Second fire— Touch up all places where 
with Water-Lily Green ; then oil the flowers and dust the color is uneven and fire. Oil entire picture and dust 
With 2 parts Peach Blossom, 1 part Cameo. Oil and dust with Cameo. Gold may be used on bands. 
