KERAMIC STUDIO 
J89 
as a whole, on the other your eye passes from neck to bulb 
and back again, wandering from the circular medallions to 
the horizontal bands, up to the ring on the neck and back 
to the scattered flowers. How restful the first is in com- 
parison ! 
The two boxes should also be studied as decorations keep- 
ing their place, every line being used with purpose. They 
are both fine examples of harmonious decoration, the round 
panel on the one emphasizing the bulge of the vase and 
the horizontal bands on the other emphasizing the flatness 
of the box. 
STUDIO NOTE 
Miss M. Owen of Cincinnati, 0., has given up her studio 
in the business part of the city and will until business re- 
vives give lessons at her home, 283 McCormick Place, Mt. 
Auburn. Her name is a familiar one to china painters in 
Cincinnati. 
* if 
BELLEEK JARDINIERE (Supplement) 
Leah Rodman Tubby 
OIL black spaces and dust with Black and paint the out- 
line with Black. Paint the bright green spaces with 
Roman Gold. 
Second Fire— Retouch black if it is not black enough by 
painting over it. Paint a heavy coat of light Green Lustre 
over the gold and background. 
If the gold is not even enough after the first fire another 
coat should be applied. 
SECTION OF BELLEEK JARDINIERE (S U ppIement)-LEAH RODMAN TUBBY] 
Black portions of design in Deep Old Rose Enamel. Dark gray portions in Blue Gray enamel. Light gray 
P tortions m Apple Green enamel grayed with | Violet. White centers of flowers, feathers 
and centers of borders in Albert Yellow enamel. 
