RERAMIC STUDIO 
39 
STUDIO NOTE 
Miss Jeanne M. Stewart of Chicago, III, has just returned 
from a year of study in Europe and expects to resume hei- 
classes at No. 824 Marshal Field Dldg. about tlie first of June. 
ROSES 
M. E. Hulbcrl 
TWO of the lightest roses and one or two buds may be white, 
also the back of the rose to the right. For these use 
either grey for flowers or Brown Green and Orange Red, Warm 
(ircy, V'ellow Ochi"e and Deep Blue Green in very thin wavshes. 
The other roses may be yellow, use Lemon Yellow, Orange 
Yellow, Yellow Ochre, Warm Grey and a little Pomjiadour. 
For the leaves use Yellow Green, DeejD Blue Green, Moss Green, 
Brown Green, Shading Green, Finishing Brown, Chestnut 
Brown and a little Violet of Iron. Brown Green and Copen- 
hagen Green might be used in the background. 
POPPIES (Supplement) 
M. M. Mason 
THE poppy stud_y is composed as an ui)right arrangement, 
the flowers being nuisscd at the top of the panel with 
the stems and leaves losing themselves in the backgroimd at 
the lower part. 
The flowers are paiuted with Carnation in tlie Ughter 
tones. Blood Red and a mixture of Blood Red and Rub}' in 
the deeper ones. The centres of the flowers are painted with 
Black and Violet; the leaves in Celadon, Black Green, Dark 
Green, Shading (jreen and Violet. The backgroimd is laid in 
with Black, Black Green, I'^-cnch Grey and Dark Green. 
Blend the background and flowers carefully, allowing the 
flowers to lose themselves in the shadows. 
When dry the panel is then dusted with the same colors 
used in painting. Endeavor to keep the colors fresh and 
transparent in the first painting, retouching with the palette 
given above, strengthening, toning and accenting where 
necessary'. 
WILD SUN FLOWER-H. B. OVERBECK 
THE wild sun-flower, or Black Eyed Susan is a familiar as 
well as decorative flower, yet it is seldom used as a motif. 
The sunny golden petals with their rich brown hearts, and grey- 
green leaves and stems should be most attractive and adapt- 
able, and the forms lend themselves readily to a conventional 
application either in colors or in gold and lustre. 
