fLERAMIC STUDIO 
71 
fire — gold can be ajiplied over paste that is tliorouglily dry liul it is safer to 
fire the ]5aste first. 
Liquid Briglit gold is similar to lustre and may be used with or under 
other lustres. 
Etching on china is done by covering the ]iiece with wax, drawing the 
design with a steel point and applying Hydrofluoric Acid to the design imtil 
it is eaten out. It is a dangerous piece of work, if you wish further directions 
let us know and we will give them in these columns. 
We consider the No. 6 Revelation Kiln the best size for studio use — the 
larger the size the better the firing will be. The only dilTerence Isetween the 
difterent numbers is the size and the fact that the firing is more even in a 
larger kiln. The nnilTies wear very well with a little repairing from time to 
time with fire clav. 
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TILE DESIGN 
Marijairt Po^^tgafc 
Background Oriental Ivory; Desiii;n Empire (rrecn. 
STUDY OF ROSES 
Henyictta Barclay Paist 
List of colors to be used — Carmine 53 (Dresden), Rubv 
Purple (Fry's or Lacroix), Russian Green (Fry's or Bisch- 
off's), Albert Yellow (Fry's or Dresden), Yellow Ochre 
(Dresden), Copenhagen Blue (Dresden, Bischoff or Fry), 
White Rose (Bischoff's or Fry's), Moss Green J., Dark 
Green, Brown (Fry's or Lacroix), Gold Gre>' (add Carmine 
to Copenhagen). 
STUDIO NOTE 
The Osgood Art School has removed to a more desirable 
location at 4G West 21st Street, between Fifth and Sixth 
Avenues, New York Citv. 
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ROSE DESIGN FOR PLATE No. 3— MAUD MYERS 
Same treatment may be used as No. 2, except that the lower band should be of a deeper shade of green than band, or of gold. 
