KERAMIC STUDIO 
109 
BEES WING MOTIF— MENTION— LUCIA JORDAN 
Border for Marmalade Jar in blue and white. 
"Children should learn to draw as they learn to write, 
and such a mystery should not be made of it. They should 
be encouraged, not flattered. As it is, every child shows 
some disposition to draw early — marking on doors, tables, 
books, 'whole sheets of paper' — 'which must not be 
wasted.' while the parents, who would save that paper, 
write the most vapid nonsense. With no help and en- 
couragement, the child gradually loses its desire to draw; 
gets interested in other things, until the wish to draw again 
breaks out, and then double effort is required to get the 
facility which might have been gained insensibly." 
CERAMIC SCHOOLS IN FINLAND 
MR. A. AV. Finch, Professor of Ceramics at the Central 
School of the Industrial Arts, Helsingfors, Finland, 
has been visiting the pottery districts of England on behalf 
of the Governors of his College, with the object of finding 
material for developing the Ceramic Schools of Finland. 
He says that while traveling through Germany he was 
impressed with the great number of new ceramic colleges 
in process of erection on the Continent. The school in 
Finland seems to be a trade school pure and simple, but 
they are going to try to develop it on the scientific side. 
MARMALADE JAR- 
MENTION 
Hannah Overheck 
Ground, a light cream tone, bands and design in cafe 
au lait; background of design grey green, outlines brown, 
red or black. 
MARMALADE JAR— MENTION 
A lice B . Sharrard 
Darkest tone, reddish Brown, dark spots, dark red 
brown, bees, ochre; design with vertical lines in light' 
brown; background of bees, olive; outlines, dark brown. 
