128 
nERAMIC STUDIO 
COLOR SCHEME FOR GOOSEBERRY PLATE 
Mabel C. Dibble 
SKETCH in the design, tint the small panels, clouding 
the background, use Deep Blue Green, Dark Blue 
and Brunswick Black. Wipe out berries and leaves and 
outline all the fruit in black — Ivory Black §, Dark Blue I. 
Outline panels and bands with heavy line of blue — Dark 
Blue, touch of Deep Purple and Brunswick Black, fire. 
For second fire — Use the Dark Blue enamel mixture. Dark 
Blue, Deep Purple and Brunswick Black. One-eighth 
Aufsetzweiss, for the dark berries, use it thin, coating over 
the darker part a second time. 
For the light berries, mixed enamel to which has been 
added a little Apple Green and Brunswick Black, to give 
it a grey tone, one part being darker than the other but 
blended while wet. Leaves, green enamel — Apple Green, 
Brown Green, \ Aufsetzweiss for some; add Brunswick 
Black for darker leaves, and for the very lightest use mixed 
enamel, colored with Apple Green and Brunswick Black. 
When berries are dry scratch out the white lines, touch 
up with black. In the light berry vein with Brown No. 4 
or 17 and add the prickles in same color. Branches, Brown 
No. 4 or 17, shaded with brown and black. Blue dashes 
are of Dark Blue Enamel. 
TOBACCO JAR -FIRST PRIZE 
Riissell Goodwin 
GROUND Cafe au lait, (Yellow Ochre with a touch of 
black) ; leaves, Calyx and seed pods Meissen Brown 
with a touch of black; flowers. Pompadour thin, first fire; 
Rose, second fire. The knob may be brown or the color 
of the flowers. 
TOBACCO JAR-SECOND PRIZE 
Em ily Hesselmeyer 
ROUND a dull brownish Ochre — design in dull red. 
G 
outlined in a darker shade. 
THE WHITE NICOTINA OR TOBACCO PLANT 
MARY BURNETT 
