KEIVAMIC STUDIO 
137 
PLATE IN RED RASPBERRIES— JEANNE M. STEWART 
THE red raspberry is handled in very much the same 
manner as the blackberr3^ The color is applied in 
masses of light and shade and the high lights wiped out with 
care to preserve the form. Maroon is used in these berries 
with the exception of those unripe which are painted with 
Lemon Yellow shaded with Pompadour. The leaves are in 
the warm green tones with strong accents of Yellow Brown, 
Chestnut Brown and Pompadour, in one or two of the more 
prominent. 
The general tone of the background is grey, Stewart's 
Grey may be used to which about ^ Shading Green is added 
in the darker tones. The lighter side of plate is done with a 
very thin wash of Ivory Yellow. 
Add the shadows in third fire with grey and a little 
Ruby Purple. A thin wash of Banding Blue is washed over 
the high lights in the berries in third fire. 
Art is not always recognized in the present. In fact, 
most people prefer it cannedl There are some individuals 
who are farther from the present than the earth from the 
fixed stars; and light may eventually reach their posterity. 
You thought it needed viore work. It needs less. You 
don't get mystery because you are too conscientious! 
When a bird flies through the air you see no feathers ! Your 
eye would require more than one focus: one for the bird, 
another for the feathers. You are to draw not reality, but 
the appearance of reality \ — Wm. Hunt. 
