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RERAMIC STUDIO 
SMALL BOWL. 
Marie Crilley Wilson. 
Background of border, two-thirds Capucine Red, one- 
third Deep Red Brown. It will require three firings to get 
a deep, rich red. 
Use the same color to tint base of bowl. Outline de- 
sign with Deep Red Brown, using crow quill pen and mix- 
ing powder with one-seventh sugar and 'six-sevenths water. 
Fill in design and bands with gold. 
JAR— WISTARIA MOTIF. 
Marie Crilley Wilson. 
Background, Empire Green. Dark grey portion of de- 
sign, Dull Silver. Light grey part. Silver Lustre. Outline, 
Empire Green. 
SMALL PITCHER- WISTARIA. 
Marie Crilley Wilson. 
Large panels, Yellow Brown Lustre. Design in Gold. 
Background of design, Old Ivory Lustre. Outline, Black. 
ALL-OVER PATTERN-MA.R1E CRILLEY WILSON. 
WISTARIA PANEL. 
Marie Crilley Wilson. 
First Firing. Outline design; paint in background 
with equal parts Copenhagen Blue, Pearl Grey, onc-fiflh 
Banding Blue. 
Second Firing. Use same color as in first firing. In 
addition to painting in background, tint dark leaves and 
stems, leaving flowers white. 
Third Firing. Cover entire design with tinting 
colored with Deep Blue Green, pad weU and in twelve or fif- 
teen hours dust with Pearl Grey. 
This design would look well repeated in panels on tall 
vase. Background of Dark Blue with flowers of Silver 
Lustre. Leaves and stems of dull silver might be preferred. 
