10 
RERAMIC STUDIO 
HAIR PIN BOX 
C. S. Babcock 
WHITE portion of design Fry's Trenton Ivory. Medium 
shade, Grey Green. Dark shade, dull blue with 
purple tone made of 2 parts Banding Blue, 1 part Royal 
Purple and a little Black. Outline with Black. 
& i? 
VASE BY ESTHER A. BENSLEY 
Treatment by Jessie Bard 
T AY in leaves and stems with flat gold and outline 
-L' flowers with Shading Green used rather thin. 
Second Fire — Paint Light Green Lustre over entire 
vase except flowers, pad it and clean out the flowers. 
Third Fire — Wash of Mother of Pearl Lustre over flowers, 
thin wash of Dark Green Lustre over dark part of design. . 
*?* 1? 
SALTED ALMOND DISH 
Esther A. Bensley 
THIRST Fire. — Tint with equal parts Apple Green and 
-T Olive Green with a touch of Blood Red. Buttercups 
are painted with Albert Yellow. Tint inside with Yellow 
Lustre. 
Second Fire. — Retouch buttercups with Albert Yellow. 
Paint band at top and stems in deeper green made of same 
colors as tint using it much heavier. 
•f *" 
CELERY DIPS 
Halite Day 
NO. 1 — Design done in sepia with a brown outline on a 
cream ground. 
No. 2 — Done in silver on a blue ground made of 1 part 
Deep Blue Green, 1 part Sea Green or Meissen and out- 
line in black. 
SALT AND PEPPER 
C. S. Babcock 
NO. 1 — Light part, Lemon Yellow tone. Centre of flowers 
and band lines Gold. Upper part of flowers, Light 
Reddish Purple. Lower part, Purplish Blue. Leaves and 
stem, Olive Green. Top and lower band, Gold. Outlines, 
Black. 
No. 2 — Grey tone bands, Warm Grey. Centre forms in 
band, Dull Deep Blue. Dragon fly form, Pompadour Red. 
White portion of design, Yellow Brown Lustre. Upper 
forms, same colors. Top Gold. 
TEA CADDY 
Eleanor Stewart 
THIS design is very effective carried out in 
enamels on a Belleek tea caddy. After the 
outlines have been fired, paint the background of 
border and space between bands at the bottom 
with Celadon Green, toned with little Deep Purple. 
Two shades of blue enamel are used in the large 
flower and still another and darker shade in the 
stem forms and bands. Use Dark Blue toned 
with Deep Purple and little Apple Green and 
Brunswick Black; adding enamel to obtain differ- 
ent shades. Paint small leaves and three lower 
leaf forms of large flower with Apple Green toned 
with Deep Purple, adding about one-eighth 
enamel, shading slightly and using thin. 
The other leaves are brownish green made by 
adding more Deep Purple and a little Brown, 4 
or 1 7, to the green mixture. 
The small flowers are painted with a soft yellow 
and a pink shading to cream. 
For the yellow add very little Silver Yellow to 
the enamel and tone with Deep Purple. The 
pink is a mixture of two-thirds Deep Purple and 
one-third Carmine No. 2 and touch of Yellow 
Brown; add enamel (this is beautiful on Belleek). 
The cream enamel is the pure enamel slightly 
toned to relieve it of its dead white appearance 
when fired. 
The flower centres are dull Orange dotted with 
the yellow enamel. The knob is gold. 
The design may be carried out in several shades 
of blue and green and the stem forms and bands 
in gold. 
Use hard enamel on Belleek and a mixture of 
two-thirds Aufsetzweiss and one-third Hancock's 
Hard Enamel. 
