32 
KERAMIC STUDIO 
Lemon Yellow, shade toward edge of flower with Violet of 
Gold with a touch of Apple Green. The markings on flower 
are Violet of Gold with a little Copenhagen Blue. Leaves 
are blended to center with the Dark Green and touches of 
Moss Green. 
LONG SPURRED VIOLET (Page 28) 
Treatment by Jessie Bard 
COLORS of violets are Banding Blue and Violet No. 2. 
Dark touches in flowers are Ruby and Banding Blue ; 
light turned over parts of leaves are Apple Green and Yel- 
low; dark parts are Moss Green and Shading Green. Stems, 
Violet No. 2 and Blood Red. 
BISCUIT JAR (Page 30) 
Treatment by Jessie Bard 
PAINT flower parts in Copenhagen Blue to which has 
been added a very little Apple Green. Paint other 
parts of design in Grey Green. 
Second Fire — Tint over the entire surface, design and 
all, with a thin wash of Dark Green No. 7, then clean the 
color off of the blue, leaving it on the rest of the design. 
Hue hole! 
OF VIOLETS—HANNAH B. OVERBECK 
AZALEAS (Page 29) 
Treatment by Jessie Bard 
PAINT leaves with Yellow Green with a little Brown 
Green; darkest leaves, Shading Green with a little 
Moss Green. Stems, Brown Green. Flowers, light wash 
of Rose or Carmine; darker touches, Ruby and Blood Red 
equal parts. Background, Violet and a little Blood Red, very 
light ; a little Yellow around lower side of flowers. Second 
Fire — Strengthen with same colors. 
YELLOW AZALEA— (Supplement) 
(TREATMENT IN WATER COU)r) 
Margaret D. Lindale 
FLOWERS— Naples Yellow and White, warmed with 
touches of Chrome Orange and Burnt Sienna. Stamens, 
Chinese White, tipped with Emerald Green. Stems, Burnt 
Sienna, the same color mixed with New Blue to produce 
darker effect in shadow and pale tone in light. Leaves 
Grey Green with touches of" Antwerp Blue, Hooker's Green 
and Burnt Sienna. The broken outline of Burnt Sienna. 
