52 
RERAMIC STUDIO 
ORANGE CUPS ETHEL CHAMPE 
Treatment by Jessie Bard 
NOS. i and 2 dark, Aztec Blue, two parts; Deep Blue 
Green, one part. 
Second Fire — Oil over entire surface and dust with 
two parts Copenhagen Grey and one part Aztec Blue. 
No. 3. — Outline in Black. Design in Demon Yellow, 
one part; Apple Green, one part; Pearl Grey. 
*• «r 
BLACK BIRD PANEL (Page 50) 
Treatment by Jessie Bard 
ALL black in design to be done in gold. 
Second Fire — Go over gold. 
Third Fire — Light Green Lustre over all except white 
in design — this may have to be repeated. 
LITTLE THINGS TO MAKE 
DUTCH COLLAR PINS— GEORGIA B. SPAINHOWER 
NO. 1. Border gold, design pale blue with same color 
enamel dots on white ground. 
No. 2. Border and stamens gold, design pale blue. 
No. 3. Center pale green with gold border. Light 
part of design in silver, medium and darkest spots in dif- 
ferent shades of darker green, outlined with black. Small 
spaces in center and little triangles in a coral pink tone. 
SALT DIPS— C. S. BABCOCK 
Treatment by Jessie Bard 
SALT Dips — Flow, (do not paint) Mother of Pearl Lustre 
over entire dip except the feet. Cover feet and rim 
with gold. 
Second Fire — Trace in design and carry it out in green 
enamel. Enamel mixture — Mix Shading Green, about one- 
fourth Moss Green, a touch of Black; to this add one-third 
Relief White. Mix with turpentine until thin enough to 
flow on. Apply enamel with a No. 1 red sable brush. 
PITCHER— C. S. BABCOCK 
Treatment by Jessie Bard 
DARK bands and top, gold. Flowers, thin wash Blood 
Red or Pompadour. Centers of flowers and leaves, 
Moss Green and a little Black. Outline in Black. Space 
between gold bands at top and bands at bottom, a thin 
wash of Yellow Brown Lustre. 
TALCUM BOX— HALLIE DAY 
Treatment by Jessie Bard 
PAINT design with mixture of three parts Yellow Brown, 
one part Albert Yellow and a little Brown Green. 
Outline in gold. 
Second Fire — Paint a thin wash of Yellow Brown Lustre 
over background. 
TOP FOR UMBRELLA HANDLE— ALICE B. SHARRARD 
FIVE yellow spots in center; four red spots in edge; 
ground blue; design green; gold rim and outline. 
Orange spots; three shades of yellow brown; black 
outlines. 
SALT AND PEPPER— C. S. BABCOCK 
Treatment by Jessie Bard 
PAINT an ivory tint over the entire surface between the 
two borders. Bands and top in gold. Flower form, 
two parts Copenhagen Blue, one part Sea Green, one part 
Pearl Grey. Balance of design three parts Copenhagen Grey, 
one part Shading Green, one part Yellow Green. 
DAISY BORDER (Page 48) 
K. E. Cherry 
WASH the green back of daisies with Shading Green and 
Copenhagen Blue. Touch the shadow side of daisies 
with Violet and a little Brown Green. Centers with Yellow 
Brown and Green. The heavy band with Copenhagen Blue. 
Background for second firing — Wash background with 
Copenhagen Blue and a little Yellow, then touch up flowers, 
washing Yellow over center of daisies and touch in the 
strong places with Shading Green. 
