ftERAMIC STUDIO 
65 
Dark Blue and one part Deep Blue Green. For the light band going through 
the dark part use a thin wash of Deep Blue Green and outline it with Shading 
Green and a little Deep Blue Green mixed. The remainder of light part 
paint an ivory tone. Roses can either be painted a delicate pink or white. 
The cup design on page 230 of the March number of the Keramic Studio 
would be a good design for the fernery. 
Mrs. R. M. G. — The silver can be remedied by going over it with Has- 
burg's White Gold; it is best to put a thin wash of it on twice. For berry 
border in June number: Outline in Black. Second Fire — Paint berries with 
flat wash, Yellow Red on light side and Blood Red on shadow side. Leaves — 
Shading Green for shadows, Deep Blue Green for lights. Bands, Black. 
Third Fire — Oil all over with Fry's Special Oil and pad it, when partly dry, 
dust in a mixture of dry colors of four parts Pearl Grey, one part Brown Green, 
one-half part Fry's Meissen Brown. Wipe out berries and fire. For Violet 
Border — Outline Black. Violets — Paint in flat wash of violet and a little Deep 
Blue Green; the dark spots and stems, two parts Brown Green, one-half part 
Yellow Brown. Leaves and bands, three parts Moss Green, one part Violet 
and a little Black. Second Lire — Put a thin wash of Pearl Grey, to which 
has been added a very little Violet, over the entire border. Piti 
Snyder: Spray of flowers may be outlined with raised paste or black outlire, 
as preferred; bands in Gold, the line on either side of handle in Gold 
entire pitcher except the panels with a thin wash of Sea Green or Russian 
Green. Second Fire — Cover paste with gold; fill forget-me-nots with pale 
pink enamel, using a Carmine or Peach Blossom to color the white enamel. 
Leaves, add a little Apple Green and Yellow to white enamel. 
L. vS. — Treatment for grape design in February, 1906, KERAMIC STUDIO. 
Trace in design and outline with Fry's Grey for Flesh or Black. Pair." 
with flat wash of two parts Copenhagen Blue, one part Banding Blue, one part 
Pearl Grey. Leaves, one part Shading Green, one Sea Green, one Copen- 
hagen Blue, one Pearl Grey. Stems, Violet and a little Blood Red. Second 
Fire — Oil all over surface with special oil and pad until it tacks. Let stand 
until nearly dry and dust with Pearl Grey with a little Deep Blue Green added. 
Third Fire — Touch up with same color as first fire. 
ROSE PLATE— K. E. CHERRY 
OUTLINE rose with a line of raised paste with the dots 
at corners as indicated. Leaves are made solid of 
paste, stems, a line of paste; band next to design, a row of 
paste, dots almost touching each other; edge of plate flat 
gold; small lines forming background, flat gold. 
vSecond Fire — Cover paste leaves with green gold, all 
other paste with Roman gold; thin wash of Yellow Lustre 
thinned with lavender oil over the roses; a heavy touch of 
Yellow Brown in center of rose. Background around rose 
in dots of light blue enamel, made of hard white enamel with 
a drop of fat oil of turpentine and enough Russian Green to 
make a turquoise coloring; thin with turpentine. 
