126 
KERAMIC STUDIO 
TRUMPET FLOWER. 
MAPLE SEEDLINGS BORDERS— MARIAM L. CANDLER. 
TRUMPET FLOWER 
Treatment by Jessie M. Bard 
FLOWERS, Yellow Brown and Yellow Red for the lighter 
blossoms and shade with Blood Red, toward centers. 
Blood Red and Yellow Brown for the darker ones. Stamen 
are Albert Yellow; caps Moss Green and Yellow Brown. 
Leaves, Moss Green and Albert Yellow for lights, shading 
with Brown Green and Yellow Brown. Stems, Moss Green 
and Violet. Background, Albert Yellow and Moss Green 
for general wash and around blossoms use Yellow Brown 
and Brown Green. 
Second Firing — Use same coloring as in first fire, 
strengthening the shadow sides of blossoms and leaves ; use 
quite a little Yellow Red toward center of flowers. 
MAPLE SEEDLINGS BORDERS 
Treatment by Jessie M. Bard 
NO. i. Outline seedling with Fry's Grey for Flesh, and 
a little Dark Green. Paint bands with Shading 
Green and a little Black. 
Second Fire — Oil over entire band except seedlings 
with Fry's special tinting oil and dust with mixture of two 
parts ivory glaze, one Grey Green. Seedlings may be left 
white or wash a very thin wash of Lemon Yellow over them. 
No. 2 — Seedlings white gold. Upper band and stems 
in Roman gold. 
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TREATMENT OF COLOR SUPPLEMENT 
Maud M. Mason 
THE motifs reproduced in color are suggestive of various 
decorative uses, stenciling, embroidery, block print- 
ing and for the decoration of porcelain. In the latter case 
some of the medallions could be repeated at intervals with 
intervening panels of color forming borders suitable for 
punch or fruit bowls. Other motifs in the group are more 
suited to surface patterns. 
In the motifs in which black or dark grey predominates, 
the best treatment of them on porcelain is to first paint in 
all the darks with Black to which one quarter French Grey 
has been added to weaken it, for it is not desirable to have 
the Black too dense and heavy. After firing: Wash over 
with brilliant transparent colors, such as Dark Yellow Brown, 
Persian and Banding Blues, Royal or Yellow Green, Violet 
and Egg Yellow, in clear flat tones. When the above has 
been done and again fired, the entire piece can be washed 
with a mixture of French and Pearl Grey, and when dry. 
dusted with French Grey, if a soft greyed effect is desired ; 
but if a warm rich scheme is liked better, the colors might 
be washed with a tone of Dark Yellow Brown to which a 
little Black has been added and dusted with the Neutral 
Yellow when thoroughly dry. 
For the lower part of the bowl and possibly for the 
small intervening panels in such a border as suggested, either 
Neutral Yellow or Grey Green could be used effectively, 
very evenly laid with Grounding Oil. 
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RED MAPLE (Page 127) 
Treatment by Jessie M. Bard 
THE pods are painted with Blood Red; caps of pods, 
Moss Green. Blossoms, lights are a soft greenish 
yellow using Lemon Yellow and just a little Moss Green; 
centers Pompadour and Yellow Brown. Stems, Blood Red 
and Violet No. 2. Leaves, Moss Green and Yellow for 
lights and Brown Green and Yellow Green for shadows. 
