ttOVAMIC STUDIO 
139 
CUP AND SAUCER (Page 148) 
Jessie M. Bard 
PAINT a thin wash of Fry's special oil on all of the 
design and when partly dry dust into it two parts 
Banding Blue, two parts Copenhagen Grey and one part 
Copenhagen Blue. 
PLAQUE (Page 151) 
Treatment by Jessie M. Bard 
OUTLINE entire design with Fry's Grey for Flesh. Dark 
part of two narrow borders next to center design, 
the two outer bands and the lines forming the panels are 
antique green bronze (Hasburg's). 
Second Fire. — The dark part of bird and all the middle 
tone of grey in center design dark green lustre, and also the 
darker design in the panels. Background in two small 
borders a thin wash of white gold and also in the design just 
above the panels. The cluster of light spots in the center 
of the plaque at the right hand is a thin wash of yellow 
lustre and also the background in the light panels. Lighter 
grey in bird is light green lustre and also between the two 
outer bands on plaque and the figure in the wide border 
next to the center design. 
Third Fire. — Thin wash of silver lustre over all 
the background in the center of plaque; the darkest spots 
are orange lustre. Thin wash of yellow lustre for back- 
ground of the wide border and also above panels. Figure 
in light panels is light green lustre and also the background 
in dark panels. 
CUP AND SAUCER— MRS. L. B. HUTCHISON 
(.Treatment by Jessie M. Bard 
Trace in design. Oil the dark forms and dust with one part Banding Blue and three parts Pearl Grey and one- 
half a part of Copenhagen Blue. Clean edges of design and fire. Second fire — Oil bands 
and dust with Pearl Grey and a pinch of Deep Blue Green. 
