198 
ftERAMIC STUDIO 
CUP AND SAUCER (Page 186) 
Treatment by Jessie M . Bard 
OUTLINE design in Black. Lines dropping from the 
edge of the center of flower and also the circles in 
gold and a band at the edge of cup and saucer in gold. 
Second Fire — Tint all background with three parts, 
three Pearl Grey, one Yellow Brown and one-half Grey for 
Flesh. Paint light part in center of flower with a thin wash 
of Albert Yellow. The outer part of flower with thin wash 
of two parts Yellow Brown and one part Albert Yellow. 
Leaf and stem Brown Green and a little Yellow Brown. 
•& *?* 
SALT DIPS (Page 188) 
Treatment by Jessie M. Bard 
OUTLINE in Black. All dark places gold. Light spots 
Apple Green, rather heavy. Small squares in upper 
design and band in lower one, Light Green lustre. 
VIOLETS (Page J 89) 
Treatment by Jessie M. Bard 
PAINT in the darkest places first with Shading Green, 
Moss Green, with a little Black added to this. The 
flowers are Deep Blue Green and Violet No. 2 for the lighter 
ones and Banding Blue and Royal Purple for the darker 
ones. The leaves are Moss Green, Yellow Green, Shading 
Green, with touches of Yellow Brown, where the leaves turn 
over. The darkest spots in violets are Black and Royal 
Purple, and the centers are Yellow and an accent of Yellow 
Brown. Stems are delicate; use Apple Green. 
Second Fire — Use same coloring used in first fire, 
strengthen the darkest places in violets, and then wash 
Violet and Deep Blue Green over the shadow side of violets. 
Paint the background with Yellow on light side of study, 
shadow side with Banding Blue, Copenhagen Blue, Violet. 
Strengthen buds with same coloring as violets. 
WAVE MOTIF— MRS. C. PIERCE UNGER. 
Treatment by Jessie M. Bard 
Outline with Copenhagen Blue and a little Banding Blue. Paint all other parts with same color. Second Fire — Oil 
over entire surface and pad it. When nearly dry dust with Pearl Grey and a little Deep Blue Green. 
