KERAMIC STUDIO 
199 
JAR— FRANK FARRELL 
JAR— FRANK FAFRELL 
Treatment by Jessie M . Bard 
OIL over entire surface with Fry's special oil and pad 
until tacky. When partly dry dust with two parts 
Copenhagen blue, three parts Copenhagen Grey and one 
part Deep Blue Green and fire. 
Second Fire — Paint leaves, berries and shaded parts 
at bottom with Copenhagen Blue and a little Sea Green. 
Third Fire — Go over berries and darkest coloring and 
bottom with same color as second fire. 
RED OSIER DOGWOOD (Page 190) 
Treatment by Jessie M, Bard 
THE berries are Blood Red and a touch of Ruby and a 
bit of Yellow Red on the reflected side of berries. 
The leaves are Moss Green, Shading Green and a touch of 
Black painted quite heavy, the stems and veins in leaves are 
Blood Red and Brown Green. 
Second Fire — Paint the berries where they are too 
weak; put the dark accents in with Auburn Brown. Touch 
up leaves where necessary. 
•Paint background with Brown Green, Shading Green, 
Yellow Brown and a little Black. 
2p 
SATSUMA BOWL IN POMEGRANATES— M. C. McCORMICK. 
IF a Satsuma bowl is not used tint in the Satsuma color, 
using a mixture of equal parts Brown 4 or 17, Yellow 
Ochre, Silver Yellow, toned with Brunswick Black. Panels 
in a darker shade of same. 
Pomegranates — Center and upper left hand corner ones 
yellow; seeds, Capucine Red; lower center ones, a mulberry 
shade, and ones on the right, blue. Bunches, right one, 
yellow and left one, blue. Leaves, green. 
Yellows — Silver Yellow with a little Orange, toned with 
Deep Purple and a touch of Brown 4 or 17 in darker shades. 
Blues — Dark Blue toned with Deep Purple and Bruns- 
wick Black. 
Mulberry Shade — Light Violet of Gold, Deep Blue Green, 
Yellow Brown and Brown 4 or 17. 
Greens — Apple Green toned with Deep Purple and 
Brunswick Black. 
Little squares in band, Black, and dotted background is 
done in gold. Outline Black. 
All colors in enamels, except Capucine Red in seed 
sections. 
