ftERAMIC STUDIO 
239 
BLUE GUM EUCALYPTUS— K. E. CHERRY 
out the coloring painted around them, then shaded with 
Violet and Brown Green. The center is Violet and Blood 
Red. 
Second Fire — Paint in background with Yellow Brown, 
Moss Green, Brown Green and Grey for Flesh. Touch up 
design with same colors used in first firing. 
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RED GUM EUCALYPTUS (Page 247) 
Treatment by Jessie M. Bard 
PAINT leaves with Yellow Brown and Yellow Green; 
for light leaves shade with Brown Green and Shading 
Green. Vein these leaves with Blood Red. The pods are 
Brown Green and Yellow Brown tipped with Blood Red. 
The broken pods are Yellow shaded with a little Brown 
Green. 
Second Fire — Paint in background with Yellow, Yel- 
low Brown, Brown Green; Violet and a little Black. Touch 
the leaves and pods with same coloring used in first 
firing. 
PLATE BORDERS (Page 233) 
Treatment by Jessie M. Bard 
NUMBER TWO. Outline design with Shading Green. 
Second Fire — Paint oil on leaves with Fry's special 
oil and dust with one part Violet, No. 2, one part Shad- 
ing Green and four parts Pearl Grey. Oil three spaces 
under flower and dust with one part Apple Green, one part 
Shading Green, one-fifth Grey for Flesh. Then oil bands 
and flat space between figures and dust with two parts 
Aztec Blue, one part dry Blue Green and one part Pearl 
Grey. Clean up all edges and background. Paint a thin 
wash of Albert Yellow over flower and the vein in leaf and 
paint a thin wash of Grey for Flesh and a little Yellow over 
entire background of plate. 
No. 3. Outline design in Black. Paint the darkest 
places in design with a thin wash of Blood Red and a little 
Violet No. 2. Darker grey tone with a thin wash of Shad- 
ing Green and a little Moss Green. Light grey background 
two parts Yellow Brown and one part Yellow Green. 
No. 4. Darkest parts of design and the outline in Gold. 
Second Fire— The darker grey tone in Yellow Brown Lustre 
and the light grev bands, Yellow Lustre. Retouch Gold. 
