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KERAMIC STUDIO 
MUSTARD POT— C. BABCOCK 
Treatment by Jessie M. Bard 
ALL dark places in gold. Second Fire — Light tint in 
center and on lid, a very thin wash of Deep Blue 
Green and a little Sea Green or Russian Green. Darker 
tone at top and bottom of pot, Copenhagen Blue and a 
little Sea Green. Oblong figure Apple Green and a little 
Yellow Green. 
if f 
BOWL (Page 234) 
Treatment by Jessie M. Bard 
OUTLINE flower with Black. Paint leaves with Brown 
Green and a little Yellow. 
Second Fire — Tint background with Grey for Flesh 
and a little Yellow. Light center in flower Albert Yellow. 
Remainder of flower Yellow Brown and a little Albert 
Yellow. 
STUDY OF A CALIFORNIA FLOWER 
Treatment by Jessie M. Bard 
SKETCH in design, paint leaves with Shading Green 
and Yellow Green, Moss Green and Brown Green. 
The leaves closest to flowers are Yellow and Apple Green. 
The flowers are Grey for Flesh and Violet very delicate wit h 
washes of Yellow over the lights. The center is a beauti- 
ful coffee brown. Use Auburn Brown, Yellow Brown and 
a touch of Violet. 
Second Fire — The background is a clear greenish green 
dark enough to bring out the flowers. For this use Yellow 
Grey for Flesh and Violet. Strengthen the entire design 
with colors used in first fire. 
v 
BONBON TOP— EMMA A. ERVIN 
Treatment by Jessie M. Bard 
VIOLETS— light parts Violet and Deep Blue Green 
equal parts; dark part, Violet and Banding Blue and 
a little Black added for the very darkest part. 
Stems, Moss Green and a little Violet and add a little 
Brown Green for leaves; dark turn over part of leaf, Brown 
Green, two parts; Yellow Brown, one part. Background 
tint, use thin wash of Yellow toward the center and shade 
out toward edge with Moss Green and Violet. 
