246 
ttERAMIC STUDIO 
PLATE BORDER No. 1 
Treatment by Jessie M . Bard 
TRACE in design and outline with Shading Green. 
Second Fire — Oil all the middle grey tones with Fry's 
special oil, put a little Shading Green in the oil, enough to 
darken it so you can see whether it is applied evenly. 
This should be done without padding the oil. When partly 
dry dust with one part Grey Yellow, two parts Yellow Green 
and two parts Ivory Glaze. Next paint oil in the light 
grey background and dust with two parts Pearl Grey and 
one part Grey Yellow. Use a No. 3 square shader fortius, 
keeping the color from the other dusted section as much 
as possible, i:hen oil all of the darkest tone and dust with 
three parts Copenhagen Grey, one part Shading Green, 
one Yellow Green. Clear all edges carefully with either a 
small penknife or an orange stick, then rub Ivory Glaze 
over the entire surface to remove bits of color that may 
have been left. 
PLATE BORDER No. 5 (Page 233) 
Treatment by Jessie M. Bard 
OUTLINE in Copenhagen Blue. Dark background 
Copenhagen Blue and a little Apple Green. Light 
grey background Deep Blue Green, a little Sea Green or 
Russian Green. Light part in flower a thin wash of Yellow 
Brown and a little Yellow Green. Dark spots in center 
of flowers are Yellow Brown. 
PLATE BORDERS, EUCALYPTUS —ANNE TYLER KORN 
