250 tiERAMIC STUDIO 
RHODODENDRON-A. W. DONALDSON (Supplement) 
Treatment by Jessie M. Bard 
A THIN wash of Blood Red for lights in flowers and 
Blood Red and Ruby for shadows. 
Lightest leaves Moss Green, and a little Yellow Brown, 
Moss Green and Brown Green for the middle tone, and add 
i* J a little Shading Green for the darkest leaves. 
Stems, Moss Green and Yellow Brown shaded with 
Brown Green. 
Shade background with Yellow Brown, Violet and 
Brown Green. 
Second Fire — A thin wash of rose over lights in flowers. 
....w. and the rest of the coloring strengthen with same colors as 
(fl\'2^/M^\ in first fire - 
\wlmm\'yvM water colors 
^ 4<s Treatment by Alice W. Donaldson 
^/^^Ol!l) r^* Blossoms, Rose Madder and Carmine used with Chinese 
White and Vermillion and Chrome Yellow to warm the 
A j 7/ shadows. Touches of Orange and Chrome Yellow on upper 
petal and self colored stamens and pistil. Buds very pale 
cool green with bright yellow green lights. Young leaves 
pale, older leaves very dark and glossy, Hooker's Green 
darkened with Antwerp Blue and Vandyke Brown. Stems 
splotched with bright brown. 
ANSWERS TO CORRESPONDENTS 
/-CoW* /^T^V H - M - — **. Reuscne & Co., 12 Barclay St., New York City, have a prep- 
(L <\v C£j£__}_2j) aration for preventing silver from tarnishing. Hasburg's white gold is less 
^^^ a Pt to tarnish than any other silver. 
lit/ \\TlfW E. A. L,. — The Belleek is probably over-fired and that is the cause for 
Qw its not burnishing. Red gold is never very satisfactory, the color is not 
pleasing. 
N. W. — The Willetts Belleek bowl was either over-fired or it was a de- 
fect in the ware. Yes, you can apply a wash of gold over the transfer design. 
P.T TTF rTTM FTTrATVPTTTS DFTATT E. H. B. — Your trouble sounds like dampness is the cause. Does 
this happen after patching the kiln or is the kiln in a damp place? 
Mrs. H. F. — Use a thin wash of Hasburg's white gold over the silver 
for next fire. 
A List of Dealers in Little Things to Make 
Boston, Mass L. Cooley, 38 Tennyson_St. 
Boston, Mass Mrs. H. E. Hersam, 165 Tremont St. 
r Buffalo, N. Y Mrs. C. C. Filkins, 609 Main St. 
Canton, O. Dresden Color Co. 
Chicago, 111 A. H. Abbott & Co., 78 Wabash Ave. 
Chicago, 111 Burley & Tyrrell Co., 118 Wabash Ave. 
Cincinnati, Ohio A. B. Closson, Jr., & Co., 110 West 4th St. 
Council Bluffs, la W. A. Maurer, 
Detroit, Mich L. B. King & Co., 103 Woodward Ave. 
Indianapolis, Ind Keramic Supply Co., 658 Lemcke Bldg. 
Indianapolis, Ind B. H. Herman & Co. 
Los Angeles, Cat. Railsback-Claremore Co., 322 West 5th St. 
New York, N. Y Art China Import Co., 32 West 20th St. 
New York, N. Y Geo. Borgfeldt & Co., I6th St. and Irving Place. 
New York, N. Y Fry Art Co., 41 W. 25th St. 
FULL SIZE SECTION BORDER OF CHICKEN PLATE New ^ ^ y m T> Wynne> 39 West 2Jst St# 
MISS LUCY HUTCHISON Philadelphia, Pa Wright, Tyndale & Van Roden, 1212 Chestnut St. 
Treatment by Jessie M. Bard Rochester, N. Y Geo. W. Davis & Co., 2356 State St. 
OUTLINE the design with India ink; oil the entire pat- Rochester, N. Y Frank Doehler, Doehler's Block, 
tern and dust with three parts Banding Blue, one San Francisco, Cal Dorn's Ceramic Supply Store, 437 Powell St. 
part Copenhagen Grey, and one part Copenhagen Blue and St. Louis, Mo Erker Bros., Opt. Co., 603 Olive St. 
three parts Pearl Grey. Clean the design carefully and St. Louis, Mo F. Weber & Co., 825 Washington Ave. 
fire. Second Fire — Paint over any part of the design so Utica, N. Y Imperial Art Co., 132 Howard Ave. 
the Color will be uniform. Washington D. C. Sherratt Art Studio, 608 13th St., N. W. 
