266 
KXRAMIC STUDIO 
PLATE AND FINGER BOWL, BLEEDING HEART— ALICE B. SHARRARD 
Treatment by Jessie M. Bard 
OUTLINE design with Auburn Brown and a little Blood 
Red. Paint in flowers with Blood Red and a little 
Yellow Brown. 
Dark band and stem, two parts Auburn or Hair Brown, 
one Blood Red, one Grey for Flesh. Light band, a thin 
wash of Yellow Brown. 
BUTTERCUP PITCHER (Page 259) 
Treatment by Jessie M. Bard 
FLOWERS, leaves and upper and lower band thin wash 
of Hasburg's White Gold leaving a narrow white 
space instead of the outline where two spaces come to- 
gether as in the center of flower. 
Second fire — Oil all dark background leaving a nar- 
row white space all around design and dust with one part 
Yellow Green, one-half part Sea Green, three parts Pearl 
Grey, five parts Ivory Glaze. Clean all edges carefully 
and fire. 
Third fire — Oil all over lower tint and handle and 
pad until tacky, and dust with Pearl Grey and a very little 
Lemon Yellow. Scratch out a white space between the 
light and dark tints, rub Ivory Glaze over it to pick up 
all particles of loose^color. Go over white gold with an- 
other thin wash. 
BUTTERCUP BOWL (Page|259) 
Treatment by Jessie M. Bard 
OUTLINE in black. Leaves, upper band and all of 
flower except the three small spaces in center are 
Hasburg's white gold. 
Second fire — Oil dark border with special oil and dust 
with two parts banding Blue, one part Copenhagen Blue, 
three parts Pearl Grey, then paint lower part of bowl with 
a very thin wash of equal parts Deep Blue Green and Sea 
Green. Go over white gold again. 
MEDIAEVAL HUNT 
(Plate Design by Miss Unger in October Keramic Studio) 
Treatment by Jessie M. Bard 
TRACE design. Oil all dark places in center of plate 
with Fry's special oil and dust with one part Fry's 
Aztec Blue, two parts Copenhagen Blue. Paint outlines 
in with same color. Clean edges. Fine line around the 
center circle and lines and all dark parts of outer border 
in gold. 
Second Fire — Oil all half tones with special oil and 
dust with one part Violet No. 2, two parts Yellow Green, 
two parts ivory glaze. Clean edges. Paint lightest tone 
with Albert Yellow and a little Grey for Flesh. Dark 
ornaments on man, the darker grey in border, equal parts 
Yellow Red and Yellow Brown. Child's dress thin wash of 
Sea Green. 
SINGLE AZALEAS (Page 265) 
Treatment by Jessie M. Bard 
PAINT in flowers with Blood Red used very thin so to 
give a nice shell pink, the leaves are Moss Green, 
Brown Green, Shading Green. The buds are a little darker 
than the blossoms. 
Second Firing — Paint in background with Blood Red, 
Violet, Apple Green and Copenhagen Blue. The flowers 
are washed over with Rose. The leaves are touched up 
with same colors used in first fire. 
